We read in John Villani that in the middle of the year 1326 the Cardinal Gianni Orsini came to Florence as Papal Legate and Pacificator of Tuscany. The city was greatly pleased at his coming, and as an earnest of gratitude for his services presented him with a cup containing a thousand florins.[154] A month later there arrived Charles Duke of Calabria, the eldest son of King Robert of Naples, and great-grandson of Charles of Anjou. He came as Protector of the Commonwealth, which office--an extraordinary one, and with a great salary attached to it--he had been elected to hold for five years. Never before had a spectacle like that of his entry been offered to Florence. Villani gives a long list of the barons who rode in his train, and tells that in his squadrons of men-at-arms there were no fewer than two hundred knights. The chronicler pauses to bid the reader note how great an enterprise his fellow-citizens had shown in bringing to sojourn among them, and in their interest, not only such a powerful lord as the Duke of Calabria was, but a Papal Legate as well. Italy counted it a great thing, he says, and he deems that the whole world ought to know of it.[155] Charles took up his abode in the Podesta's palace. He appears to have gained a better place in the hearts of the Florentines than what they were used to give to strangers and princes. When a son was born to him, all the city rejoiced, and it mourned with him when, in a few weeks, he lost the child. After seventeen months' experience of his rule the citizens were sorry to lose him, and bade him a farewell as hearty as their welcome had been. To some of them, it is true, the policy seemed a dangerous one which bore even the appearance of subjecting the Republic to the Royal House of Naples; and some of them could have wished that he 'had shown more vigour in civil and military affairs. But he was a gentle lord, popular with the townsfolk, and in the course of his residence he greatly improved the condition of things in Florence, and brought to a close many feuds.'[156] They felt that the nine hundred thousand gold florins spent on him and his men had, on the whole, been well laid out. One detail of the Duke's personal appearance deserves remark. We have seen that the prince in the fresco has long hair. John Villani had known the Duke well by sight, and when he comes to record his death and describe what kind of man he was to look upon, he specially says that 'he wore his hair loose.'[157]