The Divine Comedy, Volume 2, PurgatoryDante Alighieri
Philosophy
The Divine Comedy, Volume 2, Purgatory
Dante Alighieri
Epic poetry, Italian -- Translations into English; Italian poetry -- To 1400 -- Translations into English
Fain now to search within and round about the divine forest dense and
living, which tempered the new day to my eyes, without longer waiting I
left the bank, taking the level ground very slowly, over the soil that
everywhere breathes fragrance. A sweet breeze that had no variation in
itself struck me on the brow, not with heavier blow than a soft wind;
at which the branches, readily trembling, all of them were bending to
the quarter where the holy mountain casts its first shadow; yet not so
far parted from their straightness, that the little birds among the
tops would leave the practice of their every art; but with full joy
singing they received the early breezes among the leaves, which kept a
burden to their rhymes, such as gathers from bough to bough through the
pine forest upon the shore of Chiassi, when Aeolus lets forth
Sirocco.[1]
[1] The south-east wind.
Now had my show steps carried me within the ancient wood so far that I
could not see back to where I had entered it: and lo, a stream took
from me further progress, which toward the left with its little waves
was bending the grass that sprang upon its bank. All the waters, that
are purest on the earth, would seem to have some mixture in them,
compared with that which hides nothing, although it moves along dusky
under the perpetual shadow, which never lets the sun or moon shine
there.
With feet I stayed, and with my eyes I passed to the other side of the
streamlet, to gaze at the great variety of the fresh may; and there
appeared to me, even as a thing appears suddenly which turns aside
through wonder every other thought, a solitary lady, who was going
along, singing, and culling flower from flower, wherewith all her path
was painted. “Ah, fair Lady,[1] who warmest thyself in the rays of
love, if I may trust to looks which are wont to be witnesses of the
heart, may the will come to thee,” said I to her, “to draw forward
toward this stream, so far that I can understand what thou art singing.
Thou makest me remember where and what was Proserpine, at the time when
her mother lost her, and she the spring.”
[1] This lady is the type of the life of virtuous activity. Her name,
as appears later, is Matilda. Why this name was chosen for her, and
whether she stands for any earthly personage, has been the subject of
vast and still open debate.
Public-domain text, read in full here on John Shaqi.
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