The Divorce of Catherine of Aragon: The Story as Told by the Imperial Ambassadors Resident at the Court of Henry VIII — John Shaqi
The Divorce of Catherine of Aragon: The Story as Told by the Imperial Ambassadors Resident at the Court of Henry VIIIFroude, James Anthony
History
The Divorce of Catherine of Aragon: The Story as Told by the Imperial Ambassadors Resident at the Court of Henry VIII
Froude, James Anthony
Catharine, of Aragon, Queen, consort of Henry VIII, King of England, 1485-1536 -- Divorce; Divorce -- Great Britain -- History -- 16th century; Great Britain -- History -- Henry VIII, 1509-1547 -- Biography; Great Britain -- Kings and rulers -- Biography; Henry VIII, King of England, 1491-1547 -- Di
Mr. Brewer, the careful and admirable editor of the "Foreign and Domestic
Calendar of State Papers," doubts whether the Bishop did anything of the
kind. I cannot agree with Mr. Brewer. The Bishop of Tarbes was among the
best-known diplomatists in Europe. He was actively concerned during
subsequent years in the process of the divorce case in London, in Paris,
and at Rome. The expressions which he used on this occasion were publicly
appealed to by Henry in his addresses to the peers and to the country, in
the public pleas which he laid before the English prelates, in the various
repeated defences which he made for his conduct. It is impossible that the
Bishop should have been ignorant of the use which was made of his name,
and impossible equally to suppose that he would have allowed his name to
be used unfairly. The Bishop of Tarbes was unquestionably the first person
to bring the question publicly forward. It is likely enough, however, that
his introduction of so startling a topic had been privately arranged
between himself and Wolsey as a prelude to the further steps which were
immediately to follow. For the divorce had by this time been finally
resolved on as part of a general scheme for the alteration of the balance
of power. The domestic reasons for it were as weighty as ever were alleged
for similar separations. The Pope's hesitation, it might be assumed, would
now be overcome, since he had flung himself for support upon England and
France, and his relations with the Emperor could hardly be worse than they
were.
The outer world, and even the persons principally concerned, were taken
entirely by surprise. For the two years during which it had been under
consideration the secret had been successfully preserved. Not a hint had
reached Catherine herself, and even when the match had been lighted by
the Bishop of Tarbes the full meaning of it does not seem to have occurred
to her. Mendoza, on his arrival in England, had found her disturbed; she
was irritated at the position which had been given to the Duke of
Richmond; she was angry, of course, at the French alliance; she complained
that she was kept in the dark about public affairs; she was exerting
herself to the utmost among the friends of the imperial connection to
arrest Wolsey's policy and maintain the ancient traditions; but of the
divorce she had not heard a word. It was to come upon her like a
thunderstroke.[7]
Before the drama opens a brief description will not be out of place of the
two persons who were to play the principal parts on the stage, as they
were seen a year later by Ludovico Falieri, the Venetian ambassador in
England. Of Catherine his account is brief.
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