The Divorce of Catherine of Aragon: The Story as Told by the Imperial Ambassadors Resident at the Court of Henry VIII — John Shaqi
The Divorce of Catherine of Aragon: The Story as Told by the Imperial Ambassadors Resident at the Court of Henry VIIIFroude, James Anthony
History
The Divorce of Catherine of Aragon: The Story as Told by the Imperial Ambassadors Resident at the Court of Henry VIII
Froude, James Anthony
Catharine, of Aragon, Queen, consort of Henry VIII, King of England, 1485-1536 -- Divorce; Divorce -- Great Britain -- History -- 16th century; Great Britain -- History -- Henry VIII, 1509-1547 -- Biography; Great Britain -- Kings and rulers -- Biography; Henry VIII, King of England, 1491-1547 -- Di
evil lives after them; but they themselves are where the opinions
expressed about their character affect them no more. To Caesar or Napoleon
it matters nothing what judgment the world passes upon their conduct. It
is of more importance for the ethical value of history that acts which as
they are related appear wicked should be duly condemned, that acts which
are represented as having advanced the welfare of mankind should be duly
honoured, than that the real character of individuals should be correctly
appreciated. To appreciate any single man with complete accuracy is
impossible. To appreciate him even proximately is extremely difficult.
Rulers of kingdoms may have public reasons for what they do, which at the
time may be understood or allowed for. Times change, and new interests
rise. The circumstances no longer exist which would explain their conduct.
The student looks therefore for an explanation in elements which he thinks
he understands--in pride, ambition, fear, avarice, jealousy, or
sensuality; and, settling the question thus to his own satisfaction,
resents or ridicules attempts to look for other motives. So long as his
moral judgment is generally correct, he inflicts no injury, and he suffers
none. Cruelty and lust are proper objects of abhorrence; he learns to
detest them in studying the Tiberius of Tacitus, though the character
described by the great Roman historian may have been a mere creation of
the hatred of the old Roman aristocracy. The manifesto of the Prince of
Orange was a libel against Philip the Second; but the Philip of Protestant
tradition is an embodiment of the persecuting spirit of Catholic Europe
which it would be now useless to disturb. The tendency of history is to
fall into wholesome moral lines whether they be accurate or not, and to
interfere with harmless illusions may cause greater errors than it aspires
to cure. Crowned offenders are arraigned at the tribunal of history for
the crimes which they are alleged to have committed. It may be sometimes
shown that the crimes were not crimes at all, that the sufferers had
deserved their fate, that the severities were useful and essential for
some great and valuable purpose. But the reader sees in the apology for
acts which he had regarded as tyrannical a defence of tyranny itself.
Preoccupied with the received interpretation, he finds deeds excused which
he had learnt to execrate; and in learning something which, even if true,
is of no real moment to him, he suffers in the maiming of his perceptions
of the difference between right and wrong. The whitewashing of the
villains of tradition is, therefore, justly regarded as waste of labour.
If successful, it is of imperfect value; if unsuccessful, it is a misuse
of industry which deserves to be censured. Time is too precious to be
squandered over paradoxes. The dead are gone; the censure of mankind has
written their epitaphs, and so they may be left. Their true award will be
decided elsewhere.
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