A dedication has oftentimes cost the unhappy author a greater
consumption of thumb and finger-nail than the whole book besides, and
all varieties of matter and manner have been resorted to. Mine must be
so far in character with the delectable history which it introduces
that it shall be unlike all which have ever gone before it. I knew a
man, (one he was who would have been an ornament to his country if
methodism and madness had not combined to overthrow a bright and
creative intellect) who, in one of his insaner moods, printed a sheet
and a half of muddy rhapsodies with the title of the “Standard of God
Displayed:” and he prefaced it by saying that the price of a perfect
book, upon a perfect subject, ought to be a perfect sum in a perfect
coin; that is to say one guinea. Now as Dr. Daniel Dove was a perfect
Doctor, and his horse Nobs was a perfect horse, and as I humbly hope
their history will be a perfect history, so ought the Dedication
thereunto to be perfect in its kind. Perfect therefore it shall be, as
far as kalotypography can make it. For though it would be hopeless to
exceed all former Dedications in the turn of a compliment or of a
sentence, in the turn of the letters it is possible to exceed them
all. It was once my fortune to employ a printer who had a love for his
art; and having a taste that way myself, we discussed the merits of a
new font one day when I happened to call in upon him. I objected to
the angular inclination of a capital italic _A_ which stood upon its
pins as if it were starting aghast from the next letter on the left,
and was about to tumble upon that to the right; in which case down
would go the rest of the word, like a row of soldiers which children
make with cards. My printer was too deeply enamoured with the beauties
of his font, to have either ear or eye for its defects; and hastily
waiving that point he called my attention to a capital _R_ in the same
line, which cocked up its tail just as if it had been nicked; that
cock of the tail had fascinated him. “Look Sir,” said he, while his
eyes glistened with all the ardour of an amateur; “look at that
turn!—that's sweet, Sir!” and drawing off the hand with the forefinger
of which he had indicated it, he described in the air the turn that
had delighted him, in a sort of heroic flourish, his head with a
diminished axis, like the inner stile of a Pentegraph, following the
movement. I have never seen that _R_ since without remembering him. **
*** ** **** ** *** ******** ** *** ***** ******* ** *******, ***
********* *****, ***, *** ** *** ******* ***** ** **********, *** ***
*******. He who can read the stars, may read in them the secret which
he seeketh.
Public-domain text, read in full here on John Shaqi.
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