I have oftentimes had the happiness of seeing due commendation
bestowed by gentle critics, unknown admirers and partial friends upon
my pen, which has been married to all amiable epithets:—classical,
fine, powerful, tender, touching, pathetic, strong, fanciful, daring,
elegant, sublime, beautiful. I have read these epithets with that
proper satisfaction which when thus applied they could not fail to
impart, and sometimes qualified the pride which they inspired by
looking at the faithful old tool of the Muses beside me, worn to the
stump in their service: the one end mended up to the quick in that
spirit of œconomy which becomes a son of the Lackland family, and
shortened at the other by the gradual and alternate processes of
burning and biting, till a scant inch only is left above the finger
place. Philemon Holland was but a type of me in this respect. Indeed I
may be allowed to say that I have improved upon his practice, or at
least that I get more out of a pen than he did, for in the engraved
title-page to his Cyrupædia, where there appears the Portrait of the
_Interpres_ marked by a great D inclosing the Greek letter Φ (which I
presume designates Doctor Philemon) _ætatis suæ_ 80. A°. 1632, it may
be plainly seen that he used his pen only at one end. Peradventure he
delighted not, as I do, in the mitigated ammoniac odour.
But thou, O gentle reader, who in the exercise of thy sound judgment
and natural benignity wilt praise this Preface, thou mayest with
perfect propriety bestow the richest epithets upon the pen wherewith
its immortal words were first clothed in material forms. Beautiful,
elegant, fine, splendid, fanciful, will be to the very letter of
truth: versatile it is as the wildest wit; flexible as the most
monkey-like talent; and shouldst thou call it tender, I will whisper
in thine ear—that it is only too soft. Yet softness may be suitable;
for of my numerous readers one half will probably be soft by sex, and
of the other half a very considerable proportion soft by nature. Soft
therefore be the Pen and soft the strain.
Public-domain text, read in full here on John Shaqi.
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