There can be little doubt that this Otto de Tilli is the same person
whose name appears as a witness to several grants about the middle of
the twelfth century, and who was Seneschal to the Earl of
Conisborough. It stood uninjured till the Great Rebellion, when the
Earl of Manchester's army, on their way from the South to the siege of
York in the year 1644, chose to do the Lord service by defacing it.
“And the said Earl of Manchester's men, endeavouring to pull the whole
shank down, got a smith's forge-hammer and broke off the four corner
crosses; and then fastened ropes to the middle cross which was
stronger and higher, thinking by that to pull the whole shank down.
But a stone breaking off, and falling upon one of the men's legs,
which was nearest it, and breaking his leg, they troubled themselves
no more about it.” This account with a drawing of the cross in its
former state was in Fairfax's collection of antiquities, and came
afterwards into Thoresby's possession. The Antiquarian Society
published an engraving of it by that excellent and upright artist
Vertue, of whom it is recorded that he never would engrave a
fictitious portrait. The pillar was composed of five columns, a large
one in the middle, and four smaller ones around it, answering pretty
nearly to the cardinal points: each column was surmounted by a cross,
that in the middle being the highest and proportionally large. There
were numeral figures on the south face, near the top, which seem to
have been intended for a dial; the circumference of the pillar was
eleven feet seven, the height eighteen feet.
William Paterson, in the year of his mayoralty 1678, “beautified it
with four dials, ball and fane:” in 1792, when Henry Heaton was Mayor,
it was taken down, because of its decayed state, and a new one of the
same form was erected by the road side, a furlong to the south of its
former site, on Hop-cross hill. This was better than destroying the
cross; and as either renovation or demolition had become necessary,
the Corporation are to be commended for what they did. But it is no
longer the same cross, nor on the same site which had once been
consecrated, and where many a passing prayer had been breathed in
simplicity and sincerity of heart.
What signifies the change? Both place and monument had long been
desecrated. As little religious feeling was excited by it as would
have been by the altar to the _Deæ Matres_ if it had stood there. And
of the hundreds of travellers who daily pass it in, or outside of
stage coaches, in their own carriages, on horseback, or on foot; and
of the thousands who flock thither during the races; and of the
inhabitants of Doncaster itself, not a single soul cares whether it be
the original cross or not, nor where it was originally erected, nor
when, nor wherefore, nor by whom!
Public-domain text, read in full here on John Shaqi.
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