“Here perchance,”—(observe, Reader, I am speaking now in the words of
the Lord Keeper, Sir Nicholas Bacon,)—“here perchance a question would
be asked,—(and yet I do marvel to hear a question made of so plain a
matter,)—what should be the cause of this? If it were asked,” (still
the Lord Keeper speaketh) “thus I mean to answer: That I think no man
so blind but seeeth it, no man so deaf but heareth it, nor no man so
ignorant but understandeth it.” “_Il y a des demandes si sottes qu'on
ne les sçauroit resoudre par autre moyen que par la moquerie et les
absurdities; afin qu'une sottise pousse l'autre._”[1]
[Footnote 1: GARASSE.]
But some reader may ask what have I answered here, or rather what have
I brought forward the great authority of the Lord Keeper Sir Nicholas
Bacon and the arch-vituperator P. Garasse, to answer for me? Do I take
it for granted that the cause wherefore there is no portrait of Dr.
Daniel Dove, should be thus apparent? or the reason why, there being
no such portrait, Horrebow should simply have said so, and having so
said, end therewith the chapter which he had commenced upon the
subject.
O gentle reader you who ask this pertinent question,—I entirely agree
with you! there is nothing more desirable in composition than
perspicuity; and in perspicuity precision is implied. Of the Author
who has attained it in his style, it may indeed be said, _omne tulit
punctum_, so far as relates to style; for all other graces, those only
excepted which only genius can impart, will necessarily follow.
Nothing is so desirable, and yet it should seem that nothing is so
difficult. He who thinks least about it when he is engaged in
composition will be most likely to attain it, for no man ever attained
it by labouring for it. Read all the treatises upon composition that
ever were composed, and you will find nothing which conveys so much
useful instruction as the account given by John Wesley of his own way
of writing. “I never think of my style,” says he; “but just set down
the words that come first. Only when I transcribe any thing for the
press, then I think it my duty to see that every phrase be clear, pure
and proper: conciseness which is now as it were natural to me, brings
_quantum sufficit_ of strength. If after all I observe any stiff
expression, I throw it out neck and shoulders.” Let your words take
their course freely; they will then dispose themselves in their
natural order, and make your meaning plain;—that is, Mr. Author,
supposing you have a meaning; and that it is not an insidious, and for
that reason, a covert one. With all the head-work that there is in
these volumes, and all the heart-work too, I have not bitten my nails
over a single sentence which they contain. I do not say that my hand
has not sometimes been passed across my brow; nor that the fingers of
my left hand have not played with the hair upon my forehead,—like
Thalaba's with the grass that grew beside Oneiza's tomb.
Public-domain text, read in full here on John Shaqi.
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