“There are abundance of such things to be met with, and from the hands
of some, who fain would pass for good composers; yet most of them may
be traced, and upon examination, their things found only to be snaps
and catches; which they,—having been long conversant in Music, and can
command an Instrument, through great and long practice, some of them
very well,—have taken here and there (hab-nab,) from several airs and
things of other men's works, and put them handsomely together, which
then pass for their own compositions.
“Yet I say, it is no affront, offence, or injury, to any Master, for
another to take his Fugue, or Point to work upon, nor dishonour for
any Artist so to do, provided he shew by his Workmanship, a different
Discourse, Form, or Humour. But it is rather a credit and a repute for
him so to do; for by his works he shall be known. It being observable,
That great Master Composers may all along be as well known by their
Compositions, or their own compositions known to be of them, as the
great and learned writers may be known by their styles and works.”
CHAPTER CXCVI.
FURTHER ACCOUNT OF MASTER THOMAS MACE,—HIS LIGHT HEART, HIS SORROWS,
AND HIS POVERTY,—POORLY, POOR MAN, HE LIVED, POORLY, POOR MAN, HE
DIED—PHINEAS FLETCHER.
The sweet and the sour,
The nettle and the flower,
The thorn and the rose,
This garland compose.
SMALL GARLAND OF PIOUS AND GODLY SONGS.
Little more is known of Thomas Mace than can be gathered from his
book. By a good portrait of him in his sixty-third year, it appears
that he was born in 1613, and by his arms that he was of gentle blood.
And as he had more subscribers to his book in York than in any other
place, (Cambridge excepted) and the name of Henry Mace, Clerk, occurs
among them, it may be presumed that he was a native of that city, or
of that county. This is the more likely, because when he was
established at Cambridge in his youth, his true love was in Yorkshire;
and at that time his travels are likely to have been confined between
the place of his birth and of his residence.
The price of his book was twelve shillings in sheets; and as he
obtained about three hundred subscribers, he considered this fair
encouragement to publish. But when the work was compleated and the
accounts cast up, he discovered that “in regard of his unexpected
great charge, besides his unconceivable care and pains to have it
compleatly done, it could not be well afforded at that price, to
render him any tolerable or reasonable requital.” He gave notice
therefore, that after it should have been published three months, the
price must be raised; “adding thus much, (as being bold to say) that
there were several pages, yea several lessons in this book, (according
to the ordinary value, esteem, or way of procuring such things) which
were every one of them of more value than the price of the whole book
by far.”
It might be truly said of him, that
Public-domain text, read in full here on John Shaqi.
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