The doctor looks at biography : $b Psychological studies of life and lettersCollins, Joseph
History
The doctor looks at biography : $b Psychological studies of life and letters
Collins, Joseph
Autobiography; Biography as a literary form; Literature, Modern -- 20th century -- History and criticism
As an art, biography is older than the invention of writing. Doubtless
it has existed since the creation of man. In ancient times, it took the
form of tradition, transmitted by word of mouth, which later became
the foundation of legends and mythology. It has now reached a high
degree of development; this is the best proof that man is unable to
build his life on the present alone, or on hope of the future. He must
still refer to the past for encouragement and stimulation. To begin at
the beginning, the masters of the remote ages had left to the world
great treasures of biographical matter; from Xenophon we know about
the philosophers, especially Socrates. The life of Alexander the Great
is set down in immortal words by Quintus Curtius; Tacitus has left a
biography of Agricola, familiarity with which is part of the classical
education; and to go back still further, to an authority that has lost
none of its prestige as centuries succeed centuries, the Old Testament
abounds in biographies.
Plutarch is the parent of biographical art. His _Lives of Famous Men_
is the source from which all later biography has flown. His conception
of the art is the one we have to-day, save that he, like all other
biographers of antiquity, sought to include an era in his studies.
There was constant competition in the importance between his subjects
as individuals, and the epochs in which these subjects lived. The
tendency then was to put man a little in the shadow in order that
his time might stand out clearly; as a result, biographies of olden
times were more concerned with principles of truth and morals than
with men; they were treatises through which the writer could expound
his doctrines and principles. Soon, however, fortunately for the art
under discussion, writers discovered that man alone is not big enough
successfully to compete with his epoch, and in the Middles Ages,
biographers realised that their task should be narrowly confined
between two events: the birth and the death of their subject. Outside
events, revolutions, and world affairs must be reduced to the point
where they could not diminish the importance of the person whose
biography was written. It was then that biographies became the sort of
literature they are to-day. They grew more subjective, more personal,
more deserving of the definition Thomas Fuller gives the art of
biography: “To hand down to a future age the history of individual men
or women, to transmit their exploits and characteristics.” The man as
implicit self, explicit in action, the person and his personations, are
what biography aims to depict.
Public-domain text, read in full here on John Shaqi.
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