Later in the afternoon the sound of slowly approaching wheels sounded on
the gravel of the drive that wound near: then a carriage stopped. A
minute afterwards there appeared within the open enclosure a woman in
black, thickly veiled, bringing an armful of flowers. Some yards behind
her a man followed in deep mourning also, bareheaded, his hat in his
hand at his side--the soldierly figure of a man squaring himself against
adversity, but stricken and bowed at his post. They did not advance side
by side as those who walk most in unison when they are most bereaved and
draw closer together as fate draws nearer.
When she reached the mound, she turned toward him and waited; and when
he came up, without a word she held the flowers out to him. She held
them out to him with silence and with what a face under her veil--with
what a look out of the wife's and mother's eyes--there was none to see.
He gently pushed the flowers back toward her, mutely asking of her some
charity for the sake of all; so that, consenting, she turned to arrange
them. As she did so, she became conscious at last of what hitherto she
had perceived with her eyes only: the happy little bouquet of a child
left on the sod. And suddenly there fell upon her veil and hung enmeshed
in it some heavy tears, of which, however, she took no notice. But she
disposed the flowers so that they would not interfere with--not quite
reach to--that token of a child's love which had never known and now
would never know time's disillusion or earth's disenchantment.
When she had finished, she remained standing looking at it all. He moved
around to her side; and they both with final impulse let their eyes meet
upon the ancient line chiselled across the marble:--
"=Unto a Land Not Inhabited.="
He broke the silence:--
"I chose that for him: it is the truth: he has been sent away, bearing
more than was his."
She looked at it a long time, and then bowed as if to set the seal of
her judgment upon the seal of his judgment. And, moved by some pitiless
instinct to look at things as they are,--the discipline of her
years,--with a quiet resolute hand she lifted her veil away from her
face. It was a face of that proud and self-ennobled beauty that anywhere
in the world gives to the beholder of it a lesson in the sublimer
elements of human character. There was no feature of reproach nor line
nor shadow of bitterness, but the chastened peace of a nature that has
learned to live upon itself, after having first cast itself passionately
upon others; and that indestructible strength which rests not upon what
life can give, but upon what life cannot take away: she stood revealed
there as what in truth she was--heroic daughter of the greater vanished
people.
Public-domain text, read in full here on John Shaqi.
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