"All right!" I said, as I swung over the side of the boat into the
water, when I found myself knee-deep. Olivia looked from me to Tardif
with a flushed face--an augury that made my pulses leap. Why should her
face never change when he carried her in his arms? Why should she
shrink from me?
"Are you as strong as Tardif?" she asked, lingering and hesitating
before she would trust herself to me.
"Almost, if not altogether," I answered gayly. "I'm strong enough to
undertake to carry you without wetting the soles of your feet. Come, it
is not more than half a dozen yards."
She was standing on the bench I had just left, looking down at me with
the same vivid flush upon her cheeks and forehead, and with an uneasy
expression in her eyes. Before she could speak again I put my arms round
her, and lifted her down.
"You are quite as light as a feather," I said, laughing, as I carried
her to the strip of moist and humid strand under the archway in the
rocks. As I put her down I looked back to Tardif, and saw him regarding
us with grave and sorrowful eyes.
"Adieu!" he cried; "I am going to look after my lobster-pots. God bless
you both!"
He spoke the last words heartily; and we stood watching him as long as
he was in sight. Then we went on into the caves.
CHAPTER THE TWENTY-NINTH.
THE GOULIOT CAVES.
Olivia was very silent.
The coast of Sark shows some of the most fantastic workmanship of the
sea, but the Gouliot Caves are its wildest and maddest freak. A strong,
swift current sets in from the southwest, and being lashed into a giddy
fury by the lightest southwest wind, it has hewn out of the rock a
series of cells, and grottos, and alcoves, some of them running far
inland, in long, vaulted passages and corridors, with now and then a
shaft or funnel in the rocky roof, through which the light streams down
into recesses far from the low porches, which open from the sea. Here
and there a crooked, twisted tunnel forms a skylight overhead, and the
blue heavens look down through it like a far-off eye. You cannot number
the caverns and niches. Everywhere the sea has bored alleys and
galleries, or hewn out solemn aisles, with arches intersecting each
other, and running off into capricious furrows and mouldings. There are
innumerable refts, and channels, and crescents, and cupolas,
half-finished or only hinted at. There are chambers of every height and
shape, leading into one another by irregular portals, but all rough and
rude, as though there might have been an original plan, from which,
while the general arrangement is kept, every separate stroke perversely
diverged.
Public-domain text, read in full here on John Shaqi.
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