Isabel Sleaford was not quite eighteen years of age. She had been taught a smattering of everything at a day-school in the Albany Road; rather a stylish seminary in the opinion of the Camberwellians. She knew a little Italian, enough French to serve for the reading of novels that she might have better left unread, and just so much of modern history as enabled her to pick out all the sugar-plums in the historian's pages,--the Mary Stuarts, and Joan of Arcs, and Anne Boleyns, the Iron Masks and La Vallières, the Marie Antoinettes and Charlotte Cordays, luckless Königsmarks and wicked Borgias; all the romantic and horrible stories scattered amid the dry records of Magna Chartas and Reform Bills, clamorous Third Estates and Beds of Justice. She played the piano a little, and sang a little, and painted wishy-washy-looking flowers on Bristol-board _from_ nature, but not at all _like_ nature; for the passion-flowers were apt to come out like blue muslin frills, and the fuchsias would have passed for prawns with short-sighted people. Miss Sleaford had received that half-and-half education which is popular with the poorer middle classes. She left the Albany Road seminary in her sixteenth year, and set to work to educate herself by means of the nearest circulating library. She did not feed upon garbage, but settled at once upon the highest blossoms in the flower-garden of fiction, and read her favourite novels over and over again, and wrote little extracts of her own choosing in penny account-books, usually employed for the entry of butcher's-meat and grocery. She knew whole pages of her pet authors by heart, and used to recite long sentimental passages to Sigismund Smith in the dusky summer evenings; and I am sorry to say that the young man, going to work at Colonel Montefiasco next morning, would put neat paraphrases of Bulwer, or Dickens, or Thackeray into that gentleman's mouth, and invest the heroic brigand with the genial humour of a John Brodie, the spirituality of a Zanoni, and the savage sarcasm of a Lord Steyne. Perhaps there never was a wider difference between two people than that which existed between Isabel Sleaford and her mother's boarder. Sigismund wrote romantic fictions by wholesale, and yet was as unromantic as the prosiest butcher who ever entered a cattle-market. He sold his imagination, and Isabel lived upon hers. To him romance was something which must be woven into the form most likely to suit the popular demand. He slapped his heroes into marketable shape as coolly as a butterman slaps a pat of butter into the semblance of a swan or a crown, in accordance with the requirements of his customers. But poor Isabel's heroes were impalpable tyrants, and ruled her life. She wanted her life to be like her books; she wanted to be a heroine,--unhappy perhaps, and dying early. She had an especial desire to die early, by consumption, with a hectic flush and an unnatural lustre in her eyes.