A dull despair crept over this foolish girl as she thought that perhaps her life was to be only a commonplace kind of existence, after all; a blank flat level, along which she was to creep to a nameless grave. She was so eager to be _something_. Oh, why was not there a revolution, that she might take a knife in her hand and go forth to seek the tyrant in his lodging, and then die; so that people might talk of her, and remember her name when she was dead? I think Isabel Sleaford was just in that frame of mind in which a respectable, and otherwise harmless, young person aims a bullet at some virtuous sovereign, in a paroxysm of insensate yearning for distinction. Miss Sleaford wanted to be famous. She wanted the drama of her life to begin, and the hero to appear. Vague, and grand, and shadowy, there floated before her the image of the prince; but, oh, how slow he was to come! Would he ever come? Were there any princes in the world? Were there any of those Beings whose manners and customs her books described to her, but whose mortal semblances she had never seen? The Sleeping Beauty in the woods slumbered a century before the appointed hero came to awaken her. Beauty must wait, and wait patiently, for the coming of her fate. But poor Isabel thought she had waited so long, and as yet there was not even the distant shimmer of the prince's plumes dimly visible on the horizon. There were reasons why Isabel Sleaford should shut away the memory of her past life, and solace herself with visions of a brighter existence. A little wholesome drudgery might have been good for her, as a homely antidote against the sentimentalism of her nature; but in Mr. Raymond's house she had ample leisure to sit dreaming over her books, weaving wonderful romances in which she was to be the heroine, and the hero--?