You would say that tumult like this might satisfy the most craving appetite for uproar; but not so: the Liégeois are regular gluttons for noise, and they insist upon having Verdi's new opera of "Nabuchodonosor" performed at their great theatre. Now, this same theatre is exactly in front of the Hôtel d'Angleterre, so that when, by dint of time, patience, and a partial dulness of the acoustic nerves, we were getting used to steam-factories and shot-foundries, down comes Verdi on us, with a din and clangor to which even the works of Seraing were like an _Æolian_ harp! Now, of all the Pretenders of these days of especial humbug, with our "Long ranges," Morison's pills and Louis Napoleons, I don't think you could show me a greater charlatan than this same Verdi. I don't pretend to know a bit about music; I only knew two tunes all my life, "God save the King" and "Patrick's Day," and these only because we used to stand up and take off our hats to them in the Dublin theatre; but modulated, soft sounds have always had their effect on me, and I never heard a country girl singing as she beetled her linen beside a river's bank, or listened to the deep bay of an old fox-hound of a clear winter's morning, without feeling that there was something inside of me somewhere that responded to the note. But this fellow is all marrow-bones and cleavers! Trumpets, drums, big fiddles, and bassoons are the softest things he knows. I take it as a providential thing that his music cracks every voice after one season; for before long there will be nobody left in Europe to sing him, except it be the steam-whistle of an express-train! But we live in strange times, Tom, that's the fact. The day was when our operas used to be taken from real life,--or what authors and poets thought was real life. We had the "Maid of the Mill," and the "Duenna," and "Love in a Village," and a score more, pleasant and amusing enough; and except that there was nothing wrong or incomprehensible in them, perhaps they might have stood their ground. There was the great failure, Tom; everybody could understand them, and nobody need be shocked. Now, the taste is, puzzle a great many, and shock every one!