A grand opera now must be from the Old Testament. Not even drums and
kettle-drums would save you, if you haven't Moses or Melchisedek to
sit down in white raiment, and see some twenty damsels, with petticoats
about as long as a lace ruffle, capering and attitudinizing in a way
that ought to make even a patriarch blush. Now, this is all wrong,
Tom. The public might be amused without profanity, and even the most
inveterate lover of dancing needn't ask David and Uriah for a _pas
de deux_. And now, let me remark to you, that a great deal of that
so-much-vaunted social liberty abroad is neither more nor less than this
same latitude with respect to any and every thing. We at home were
bred up to believe that good-breeding mainly consists in a certain
reserve,--a cautious deference not alone for the feelings, but even the
prejudices of others; that you have no right to offend your neighbor's
sense of respect for fifty things that you held cheaply yourself. They
reverse all this here. Everybody talks to you of yourself, ay, and of
your wife and your mother, as frankly as though they were characters
of the heathen mythology: they treat you like a third party in these
discussions, and very likely it was a practice of this kind originally
suggested the phrase of being "beside oneself."
You'll perhaps remark that my tone is very low and depressed, Tom; and I
own to you I feel so. For a man that came abroad to enjoy himself, I am,
to say the least, going a mighty strange way about it. The most rigid
moralist couldn't accuse me of my epicurism, for I seem to be husbanding
my Continental pleasures with a laudable degree of self-denial. Would
you like a peep at us? Well, Mrs. D. is over there in No. 19, in bed
with fourteen leeches on her temples, and a bottle as big as a black
jack of camphor and sal-volatile beside her as a kind of table beverage;
Mary Anne and Caroline are somewhere in the dim recesses of the same
chamber, silent, if they 're not sobbing; James is under lock and key in
No. 17, with Ollendorff's Method, and the Gospel of St. John in French;
and here am I, trying to indite a few lines, with blast furnaces and
brass instruments baying around me, and Paddy Byrne cleaning knives
outside the door!
[Illustration: 168]
Public-domain text, read in full here on John Shaqi.
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