"Even if some of your books should win?" "If every one of them should do so. If half a dozen publishers came to me personally and begged me to resume work. I may be a poor artist, may lack completely the artistic subservience to or superiority to discouragement, probably I do; but at least I know I'm human. I'm like a well in the desert that's been pumped empty and left never a mark on the surrounding sand. I couldn't produce again if I wanted to; I'm drained dry." Randall said nothing. He knew this other man. "I tell you I'm awake, Harry, at last, and see things as they are; things now so childishly obvious that it seems incredible I could have gone on so long without recognizing them. People prate about appreciation of artists of various kinds and of their work, grow maudlin over it by artificial light in the small hours of the night. And how do they demonstrate it? Once in a while, the isolated exception that proves the rule, by recognizing and rewarding the genius in his lifetime. Once in a very, very long time, I say. Mind, I don't elevate myself as a genius. I'm merely speaking as an observer who's awakened and knows. As a rule what do they do? Let him struggle and work and eat his heart out in obscurity and without recognition. Let him starve himself body and soul. After he's dead, after a year or a hundred years, after there is no possibility of his receiving the reward or the inspiration, they arouse. His fame spreads. His name becomes a household word. They desecrate his grave, if they can find it, by hanging laurel on his tombstone. They tear the wall-paper from the house where he once chanced to live into ribbons for souvenirs. If he happens to be a painter the picture that brought him enough perhaps to keep body and soul together for a month is fought for until eventually it sells for a fortune. If he was a writer they bid for a scrap of his manuscript more than he received for his whole work. There are exceptions, I say; but even exceptions only prove the rule. Think over the names of the big artists, the big geniuses. How many of them are alive or were appreciated in their own lives? How many living to-day compare in the public appreciation with those dead? None of them, practically, none. And still do you or does any other sane person fancy that human beings are degenerating every generation, that artistic genius is decadent? It's preposterous, unthinkable! It merely points the moral that history repeats itself. Some place, somewhere, the greatest artist in the world is painting the greatest picture the world has ever known--and this same world passes him by. It must be so, for human beings advance with every generation inevitably. Some place, somewhere, the biggest writer of all time is writing the biggest book--and his neighbors smile because his clothes are rusty. This is the reward they get in their own day and their own generation, when it would sweeten their lives, make them worth living.