She could no longer refuse, and, passing Estenega with head erect, she bent it slightly to the caballeros and passed to the middle of the room, the other guests retreating to the wall. She stood for a moment, swaying her body slightly; then, raising her gown high enough for the lace to sweep the instep of her small arched feet, she tapped the floor in exact time to the music for a few moments, then glided dreamily along the sala, her willowy body falling in lovely lines, unfolding every detail of El Son, unheeding the low ripple of approval. Then, dropping her gown, she spun the length of the room like a white cloud caught in a cyclone; her garments whirred, her heels clicked, her motion grew faster and swifter, until the spectators panted for breath. Then, unmindful of the lively melody, she drifted slowly down, swaying languidly, her long round arms now lolling in the lace of her gown, now lifted to graceful sweep and curve. The caballeros shouted their appreciation, flinging gold and silver at her feet; never had El Son been given with such variations before. Never did I see greater enthusiasm until the night which culminated the tragedy of Ysabel Herrera. Estenega stood enraptured, watching every motion of her body, every expression of her face. The blood blazed in her cheeks, her eyes were like green stars and sparkled wickedly. The cold curves of her statuesque mouth were warm and soft, her chin was saucily uplifted, her heavy waving hair fell over her shoulders to her knees, a glittering veil. Where had The Doomswoman, the proud daughter of the Iturbi y Moncadas, gone? The girls were a little frightened: this was not the Son to which they were accustomed. The young matrons frowned. The old people exclaimed, "Caramba!" "Mother of God!" "Holy Mary!" I was aghast; well as I knew her, this was a piece of audacity for which I was unprepared. As the dance went on and she grew more and more like an untamed wood-nymph, even the caballeros became vaguely uneasy, hotly as they admired the beautiful wild thing enchaining their gaze. I looked again at Estenega and knew that his heart beat in passionate sympathy. "I have found _her_," he murmured, exultantly. "She is California, magnificent, audacious, incomprehensible, a creature of storms and convulsions and impregnable calm; the germs of all good and all bad in her; a woman sublimated. Every husk of tradition has fallen from her." Once, as she passed Estenega, her eyes met his. They lit with a glance of recognition, then the lids drooped and she floated on. He left the room; and when he returned she sat on a window-seat, surrounded by caballeros, as calm and as pale as when he had commanded her to dance. He did not approach her, but, joined me at the upper end of the sala, where I stood with Alvarado, the Castros, Don Thomas Larkin, the United States Consul, and a half-dozen others. We were discussing Chonita's interpretation of El Son.