The Doomswoman: An Historical Romance of Old CaliforniaAtherton, Gertrude Franklin Horn
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The Doomswoman: An Historical Romance of Old California
Atherton, Gertrude Franklin Horn
California -- Fiction; Historical fiction; Western stories
He spurred his horse, and once more they fled through the pine woods.
Before long they entered the valley of Carmelo. The mountains were
massive and gloomy, the little bay was blue and quiet, the surf of
the ocean roared about Point Lobos, Carmelo River crawled beneath
its willows. In the middle of the valley stood the impressive yellow
church, with its Roman tower and rose-window; about it were the
crumbling brown hovels of the deserted Mission. Once as they rode
Estenega thought he heard voices, but could not be sure, so loud was
the clatter of the horses' hoofs. As they reached the square they drew
rein swiftly, the horses standing upright at the sudden halt. Then
strange sounds came to them through the open doors of the church:
ribald shouts and loud laughter, curses and noise of smashing glass,
such songs as never were sung in Carmelo before; an infernal clash of
sound which mingled incongruously with the solemn mass of the surf.
Chonita's eyes flashed. Even Estenega's face darkened: the traditions
planted in plastic youth arose and rebelled at the desecration.
"Some drunken sailors," he said. "There--do you see that?" A craft
rounded Point Lobos. "Pirates!"
"Holy Mary!" exclaimed Chonita.
"Let down your hair," he said, peremptorily; "and follow all that I
suggest. We will drive them out."
She obeyed him without question, excited and interested. Then they
rode to the doors and threw them wide.
The upper end of the long church was swarming with pirates; there was
no mistaking those bold, cruel faces, blackened by sun and wind, half
covered with ragged hair. They stood on the benches, they bestrode
the railing, they swarmed over the altar, shouting and carousing in
riotous wassail. Their coarse red shirts were flung back from hairy
chests, their faces were distorted with rum and sacrilegious delight.
Every station, every candlestick, had been hurled to the floor and
trampled upon. The crucifix stood on its head. Sitting high on the
altar, reeling and waving a communion goblet, was the drunken chief,
singing a blasphemous song of the pirate seas. The voices rumbled
strangely down the hollow body of the church; to perfect the scene
flames should have leaped among the swinging arms and bounding forms.
"Come," said Estenega. He spurred his horse, and together they
galloped down the stone pavement of the edifice. The men turned at
the loud sound of horses' hoofs; but the riders were in their
midst, scattering them right and left, before they realized what was
happening.
The horses were brought to sudden halt. Estenega rose in his stirrups,
his fine bold face looking down impassively upon the demoniacal gang
who could have rent him apart, but who stood silent and startled,
gazing from him to the beautiful woman, whose white gown looked part
of the white horse she rode. Estenega raised his hand and pointed to
Chonita.
"The Virgin," he said, in a hollow, impressive voice. "The Mother of
God. She has come to defend her church. Go."
Public-domain text, read in full here on John Shaqi.
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