The Doomswoman: An Historical Romance of Old CaliforniaAtherton, Gertrude Franklin Horn
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The Doomswoman: An Historical Romance of Old California
Atherton, Gertrude Franklin Horn
California -- Fiction; Historical fiction; Western stories
But Chonita gave no heed to the Castros. She fixed her cold direct
regard on the man who rode with them, and whom, she knew, must be
Diego Estenega, for he was their guest. She was curious to see this
enemy of her house, the political rival of her brother, the owner of
the voice which had given her the first thrill of her life. He was
dressed as plainly as Castro, and had none of the rich southern beauty
of the caballeros. His hair was cut short like Alvarado's, and his
face was thin and almost sallow. But the life that was in that face!
the passion, the intelligence, the kindness, the humor, the grim
determination! And what splendid vitality was in his tall thin figure,
and nervous activity under the repose of his carriage! I remember
I used to think in those days that Diego Estenega could conquer the
world if he wished, although I suspected that he lacked one quality of
the great rulers of men,--inexorable cruelty.
From the moment his horse carried him into the plaza he did not remove
his eyes from Chonita's face. She lowered hers angrily after a
moment. As he reached the house he sprang to the ground, and Alvarado
presented the sponsors. He lifted his cap and bowed, but not as low as
the caballeros who were wont to prostrate themselves before her. They
murmured the usual form of salutation:
"At your feet, señorita."
"I appreciate the honor of your acquaintance."
"It is my duty and pleasure to lift you to your horse." And, still
holding his cap in his hand, he led her to one of the three horses
which stood beside the carriage; with little assistance she sprang to
its back, and he mounted the one reserved for him.
The cavalcade started. First the carriage, then Alvarado and myself,
followed by the sponsors, the Castros, the members of the Departmental
Junta and their wives, then the caballeros and the doñas, the old
people and the Americans; the populace trudging gayly in the rear,
keeping good pace with the riders, who were held in check by a
fragment of pulp too young to be jolted.
"You never have been in Monterey before, señorita, I understand," said
Estenega to Chonita. No situation could embarrass him.
"No; once they thought to send me to the convent here,--to Doña
Concepcion Arguéllo,--but it was so far, and my mother does not like
to travel. So Doña Concepcion came to us for a year, and, after, I
studied with an instructor who came from Mexico to educate my brother
and me." She had no intention of being communicative with Diego
Estenega, but his keen reflective gaze confused her, and she took
refuge in words.
"Doña Eustaquia tells me that, unlike most of our women, you have
read many books. Few Californian women care for anything but to look
beautiful and to marry,--not, however, being unique in that respect.
Would you not rather live in our capital? You are so far away down
there, and there are but few of the _gente de razon_, no?"
Public-domain text, read in full here on John Shaqi.
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