The Doomswoman: An Historical Romance of Old CaliforniaAtherton, Gertrude Franklin Horn
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The Doomswoman: An Historical Romance of Old California
Atherton, Gertrude Franklin Horn
California -- Fiction; Historical fiction; Western stories
The music stopped. The women were eating the dulces passed by the
Indian servants. The men had not yet gone into the dining-room.
Valencia dropped her handkerchief; Reinaldo, stooping to recover it,
kissed her hand behind its flimsy shelter.
Then Prudencia arose. She trailed her long gown down the room between
the two rows of people staring at her grim eyes and pressed lips; her
little head, with its high comb, stiffly erect. She walked straight up
to Reinaldo and boxed his ears before the assembled company.
"Thou wilt flirt no more with other women," she said, in a loud, clear
voice. "Thou art my husband, and thou wilt not forget it again. Come
with me."
And, amidst the silence of mountain-tops in a snow-storm, he stumbled
to his feet and followed her from the room.
I could not sleep that night. In spite of the amusement I had felt at
Prudencia's _coup-d'état_, I was oppressed by the chill and foreboding
which seemed to emanate from Chonita and pervade the house. I knew
that terrible calm was like the menacing stillness of the hours before
an earthquake. What would she do in the coming convulsion? I shuddered
and tormented myself with many imaginings.
I became so nervous that I rose and dressed and went out upon the
corridor and walked up and down. It was very late, and the moon was
risen, but the corners were dark. Figures seemed to start from them,
but my nerves were strong; I never had given way to fear.
My thoughts wandered to Estenega. Who shall judge the complex heart
of a man? the deep, intense, lasting devotion he may have for the one
woman he recognizes as his soul's own, and yet the strange wayward
wanderings of his fancy,--the nomadic assertion of the animal; the
passionate love he may feel for this woman of all women, yet the
reserve in which he always holds her, never knowing her quite as well
as he has known other women; the last test of highest love, passion
without sensuality? And yet the regret that she does not gratify every
side of his nature, even while he would not have her; regret for the
terrible incongruity of human nature, the mingling of the beast and
the divine, which cannot find satisfaction in the same woman; whatever
the fire in her, she cannot gratify the instincts which rage below
passion in man, without losing the purity of mind which he adores in
her. She, too, feels a vague regret that some portion of his nature
is a sealed book to her, forever beyond her ken. But her regret is
nothing to his: he knows, and she does not.
Public-domain text, read in full here on John Shaqi.
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