The Doomswoman: An Historical Romance of Old CaliforniaAtherton, Gertrude Franklin Horn
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The Doomswoman: An Historical Romance of Old California
Atherton, Gertrude Franklin Horn
California -- Fiction; Historical fiction; Western stories
My meditations were interrupted suddenly. I heard a door stealthily
opened. I knew before turning that the door was that of Chonita's
room, the last at the end of the right wing. It opened, and she came
out. It was as if a face alone came out. She was shrouded from head to
foot in black, and her face was as white as the moon. Possessed by a
nameless but overwhelming fear, I turned the knob of the door nearest
me and almost fell into the room. I closed the door behind me, but
there was no key. By the strip of white light which entered through
the crevice between the half-open shutters I saw that I was in the
room of Valencia Menendez; but she slept soundly and had not heard me.
I stood still, listening, for many minutes. At first there was no
sound; I evidently had startled her, and she was waiting for the house
to be still again. At last I heard some one gliding down the corridor.
Then, suddenly, I knew that she was coming to this room, and,
possessed by a horrible curiosity and growing terror, I sank on my
knees in a corner.
The door opened noiselessly, and Chonita entered. Again I saw only
her white face, rigid as death, but the eyes flamed with the terrible
passions that her soul had flung up from its depths at last. Then I
saw another white object,--her hand. But there was no knife in it.
Had there been, I think I should have shaken off the spell which
controlled me: I never would see murder done. It was the awe of the
unknown that paralyzed my muscles. She bent over Valencia, who moved
uneasily and cast her arms above her head. I saw her touch her finger
to the sleeping woman's mouth, inserting it between the lips. Then she
moved backward and stood by the head of the bed, facing the
window. She raised herself to her full height and extended her arms
horizontally. The position gave her the form of a cross--a black
cross, topped and pointed with malevolent white; one hand was spread
above Valencia's face. She was the most awful sight I ever beheld. She
uttered no sound; she scarcely breathed. Suddenly, with the curve of a
panther, her figure glided above the unconscious woman, her open hand
describing a strange motion; then she melted from the room.
Valencia awoke, shrieking.
"Some one has cursed me!" she cried. "Mother of God! Some one has
cursed me!"
I fled from the room, to faint upon my own bed.
XXVI.
The next morning Casa Grande was thrown into consternation. Valencia
Menendez was in a raging fever, and had to be held in her bed.
After breakfast I sent for Estenega and told him of what I had seen.
In the first place I had to tell some one, and in the second I thought
to end his infatuation and avert further trouble. "You firebrand!" I
exclaimed, in conclusion. "You see the mischief you have worked! You
will go, now, thank heaven--and go cured."
Public-domain text, read in full here on John Shaqi.
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