Whether or not it was a mere fancy induced by the last night's experience I cannot say, but I went about that day with a haunting feeling that I was watched, and to me the impression was very real indeed. I listened often, but in the bustle of the day, even in quiet old Chester, the individual characters of different footsteps were not easily recognisable. Once, however, as I descended a flight of steps from the Rows, I fancied I heard the quick shuffle in the curious old gallery I had just quitted. I turned up the steps again and looked. There was a shabby sort of man looking in one of the windows, and leaning so far as to hide his head behind the heavy oaken pilaster that supported the building above. It might have been his footstep, or it might have been my fancy. At any rate I would have a look at him. I mounted the top stair, but as I turned in his direction the man ran off, with his face averted and his head ducked, and vanished down another stair. I made all speed after him, but when I reached the street he was nowhere to be seen. What _could_ it all mean? The man was rather above the middle height, and he wore one of those soft felt hats familiar on the head of the London organ-grinder. Also his hair was black and bushy, and protruded over the back of his coat-collar. Surely _this_ was no delusion; surely I was not imagining an Italian aspect for this man simply because of the recollection of my father's fate? Perhaps I was foolish, but I took no more pleasure in Chester. The embarrassment was a novel one for me, and I could not forget it. I went back to my hotel, paid my bill, sent my bag to the railway station, and took train for Warwick by way of Crewe. It was dark when I arrived, but the night was near as fine as last night had been at Chester. I took a very little late dinner at my hotel, and fell into a doubt what to do with myself. One rather fat and very sleepy commercial traveller was the only other customer visible, and the billiard room was empty. There seemed to be nothing to do but to light a cigar and take a walk. I could just see enough of the old town to give me good hopes of to-morrow's sight-seeing. There was nothing visible of quite such an interesting character as one might meet in Chester, but there were a good few fine old sixteenth century houses, and there were the two gates with the chapels above them. But of course the castle was the great show-place, and that I should visit on the morrow, if there were no difficulties as to permission. There were some very fine pictures there, if I remembered aright what I had read. I was walking down the incline from one of the gates, trying to remember who the painters of these pictures were, besides Van Dyck and Holbein, when--that shuffling step was behind me again!