Nobody knew anything of this label, or how it came where it had been found. My mother urged my father to place himself under the protection of the police at once, but he delayed. Indeed, I fancy he had a suspicion that the label might be the production of some practical joker staying at the hotel who had heard of his Neapolitan adventure (it was reported in many newspapers) and designed to give him a fright. But that very evening my poor father was found dead, stabbed in a dozen places, in a short, quiet street not forty yards from the hotel. He had merely gone out to buy a few cigars of a particular brand which he fancied, at a shop two streets away, and in less than half an hour of his departure the police were at the hotel door with the news of his death, having got his address from letters in his pockets. It is no part of my present design to enlarge on my mother's grief, or to describe in detail the incidents that followed my father's death, for I am going back to this early period of my life merely to make more clear the bearings of what has recently happened to myself. It will be sufficient therefore to say that at the inquest the jury returned a verdict of wilful murder against some person or persons unknown; that it was several times reported that the police had obtained a most important clue, and that being so, very naturally there was never any arrest. We returned to Sydney, and there I grew up. I should perhaps have mentioned ere this that my profession--or I should rather say my hobby--is that of an artist. Fortunately or unfortunately, as you may please to consider it, I have no need to follow any profession as a means of livelihood, but since I was sixteen years of age my whole time has been engrossed in drawing and painting. Were it not for my mother's invincible objection to parting with me, even for the shortest space of time, I should long ago have come to Europe to work and to study in the regular schools. As it was I made shift to do my best in Australia, and wandered about pretty freely, struggling with the difficulties of moulding into artistic form the curious Australian landscape. There is an odd, desolate, uncanny note in characteristic Australian scenery, which most people are apt to regard as of little value for the purposes of the landscape painter, but with which I have always been convinced that an able painter could do great things. So I did my feeble best.