That is to say, the god is about to speak! At this moment, an eye that
could pierce the easy veil of appearances would distinctly see scattered
on the plain green cloth (if not actually, then at least potentially;
for a single stake is rare, and he who plays of his superfluity to-day
will risk his all to-morrow) a corn-field ripening in the sun a
thousand miles away; or, again, in other squares, a meadow, a wood, a
moonlit country-house, a shop in some little market-town, a staff of
book-keepers and accountants bending over ledgers in their gloomy
offices, peasants labouring in the rain, hundreds of work-girls slaving
from morn to night in deadly factories, miners in the mines, sailors on
their ship; the jewels of debauchery, love or glory; a prison, a
dockyard; joy, misery, injustice, cruelty, avarice; crimes, privations,
tears. All this lies there, very peacefully, in those little heaps of
smiling gold, in those flimsy scraps of paper which ordain disasters
which even a life-time would be powerless ever to efface. The slightest
timid and hesitating movements of these yellow counters and blue notes
will rebound and swell out in the distance, in the real world, in the
streets, in the plains, in the trees, in men's blood and in their
hearts. They will demolish the house that saw the parents die, carry off
the old man's chair, give a new squire to the astonished village, close
a workshop, take away the bread from the children of a hamlet, divert
the course of a river, stay or break a life and, through an infinity of
time and space, burst the links of an uninterrupted chain of cause and
effect. But none of these resounding truths utters an indiscreet whisper
here. There are here more sleeping Furies than on the purple steps of
the palace of the Atridæ; but their cries of waking and of pain lie
hidden at the bottom of men's hearts. Nothing betrays, nothing foretells
that there are definite ills hovering over those present and choosing
their victims. Only, the eyes stare a little, while hands shiftily
finger a pencil, a bit of paper. Not an unaccustomed word or gesture.
Clammy expectation sits motionless. For this is the place of voiceless
pantomime, of stifled fighting, of unblinking despair, of tragedy masked
in silence, of dumb destiny sinking in an atmosphere of lies that
swallows up every sound.
IV
Public-domain text, read in full here on John Shaqi.
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