And these names show all that they were to man: all his gratitude, his studious fondness, all that he owed them, all that they gave him are there contained, like a secular aroma in hollow pearls. And so they bear names of queens, shepherdesses, virgins, princesses, sylphs and fairies, which flow from the lips like a caress, a lightning-flash, a kiss, a murmur of love. Our language, I think, contains nothing that is better, more daintily, more affectionately named than these homely flowers. Here the word clothes the idea almost always with care, with light precision, with admirable happiness. It is like an ornate and transparent stuff that moulds the form which it embraces and has the proper shade, perfume and sound. Call to mind the Easter Daisy, the Violet, the Bluebell, the Poppy, or, rather, Coquelicot: the name is the flower itself. How wonderful, for instance, that sort of cry and crest of light and joy: "Coquelicot!" to designate the scarlet flower which the scientists crush under this barbarous title: _Papaver rhoeas!_ See the Primrose, or, rather, the Cowslip, the Periwinkle, the Anemone, the Wild Hyacinth, the blue Speedwell, the Forget-me-not, the Wild Bindweed, the Iris, the Harebell: their name depicts them by equivalents and analogies which the greatest poets but rarely light upon. It represents all their ingenuous and visible soul. It hides itself, it bends over, it rises to the ear even as those who bear it lie concealed, stoop forward, or stand erect in the corn and in the grass. These are the few names that are known to all of us; we do not know the others, though their music describes with the same gentleness, the same happy genius, flowers which we see by every wayside and upon all the paths. Thus, at this moment, that is to say, at the end of the month in which the ripe corn falls beneath the reaper's sickle, the banks of the roads are a pale violet: it is the Sweet Scabious, who has blossomed at last, discreet, aristocratically poor and modestly beautiful, as her title, that of a mist-veiled precious stone, proclaims. Around her, a treasure lies scattered: it is the Ranunculus, or Buttercup, who has two names, even as he has two lives; for he is at once the innocent virgin that covers the grass with sun-drops, and the redoubtable and venomous wizard that deals out death to heedless animals. Again we have the Milfoil and the St. John's Wort, little flowers, once useful, that march along the roads, like silent school-girls, clad in a dull uniform; the vulgar and innumerous Bird's Groundsel; her big brother, the Hare's Lettuce of the fields; then the dangerous black Nightshade; the Bitter-sweet, who hides herself; the creeping Knotweed, with the patient leaves: all the families without show, with the resigned smile, wearing the practical grey livery of autumn, which already is felt to be at hand. II