He had only known the professor to bow to on the stairs, and so
in presenting himself he was introduced. The professor greeted him
cordially, and after the usual formalities, Théophraste broached the
subject of his visit. He produced the paper, and a letter which he
had written some time previously. “Signor Petito,” he commenced,
“having heard of your renown as an expert in handwriting, I would be
grateful to you if you would examine this letter, and this document,
and give me the result of your observations. I may say that there is no
connection between the two papers.”
Théophraste was not in the habit of lying, and blushed redder than a
peony. But Signor Petito was already deeply engrossed in the examining
of the two papers. His scholarly eye looked over one, then the other.
He placed them together, held them up to the light, passed his hand
over the writing, and measured them. Then he laughed, showing his white
teeth.
“Monsieur Longuet,” said he, “it is not necessary for me to keep
you waiting long for a reply. This document is in a very bad condition,
but the specimen of handwriting can still be read. They are in every way
similar to the letter, and I would swear before any tribunal that those
two handwritings have been traced by the same hand.”
Then he entered into details. “A child,” he said, “could not be
mistaken about it.” He pointed out how this duplicate writing was
identically angular. “We call a handwriting angular, Monsieur, when
the hair-strokes which join the bottom of the letters and the separate
letters are at an acute angle to the down-strokes of the letters. Do
you understand? Compare this hook and that one, those hair-strokes
with these others, and all those letters getting larger, larger in both
writing and in equal measure. But what a clear writing, Monsieur; I
have never seen such clear writing before. As clear as if cut with a
knife.”
By this time Théophraste had become white with nervousness. Signor
Petito thought that he was going to faint. However, he arose, picked up
the document and the letter, and having thanked Signor Petito, he went
out.
He wandered the streets for a long time, and at last turning down
a small street, he stood in front of an old door in the Rue Inger.
Entering, he found himself in a narrow, dark passage. A man came out of
a back room, and on recognizing Théophraste, greeted him in a friendly
way. He was wearing a square paper cap, and had on a black gown which
reached down to his feet.
“Good-day, Théophraste, good-day. What happy chance has brought you
here?”
As it had been two years since they had last seen each other they at
first spoke of family matters and other generalities. Ambrose spoke of
his trade of engraving visiting cards. He had been a printer. He had
been a printer in the province, but having put all he had into an
invention for a new paper, he had failed. He was a distant cousin to
Marceline, and when he was deep in financial troubles, Théophraste had
come to his rescue.
Public-domain text, read in full here on John Shaqi.
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