“Thank God,” said he, “that’s chap’s gone. These foreign fellows bore me stiff. The only way to get rid of them is simply to shut up as you saw I did. Thank Heaven!” sighed George again, with so much emotion that if it hadn’t been ridiculous Fanny might have imagined that he had been as frightened of the manager as she. As it was she felt a rush of love for George. His hands were on the table, brown, large hands that she knew so well. She longed to take one of them and squeeze it hard. But, to her astonishment, George did just that thing, leaning across the table, put his hand over hers, and said, without looking at her, “Fanny, darling Fanny.” “Oh, George!” It was in that heavenly moment that Fanny heard a _twing-twing-tootle-tootle_, and a light strumming. There’s going to be music, she thought, but the music didn’t matter just then. Nothing mattered except love. Faintly smiling she gazed into that faintly smiling face, and the feeling was so blissful that she felt inclined to say to George, “Let us stay here—where we are—at this little table. It’s perfect, and the sea is perfect. Let us stay.” But instead her eyes grew serious. “Darling,” said Fanny. “I want to ask you something fearfully important. Promise me you’ll answer. Promise.” “I promise,” said George, too solemn to be quite as serious as she. “It’s this.” Fanny paused a moment, looked down, looked up again. “Do you feel,” she said, softly, “that you really know me now? But really, really know _me_?” It was too much for George. Know his Fanny? He gave a broad, childish grin. “I should jolly well think I do,” he said, emphatically. “Why, what’s up?” Fanny felt he hadn’t quite understood. She went on quickly: “What I mean is this. So often people, even when they love each other, don’t seem to—to—it’s so hard to say—know each other perfectly. They don’t seem to want to. And I think that’s awful. They misunderstand each other about the most important things of all.” Fanny looked horrified. “George, we couldn’t do that, could we? We never could.” “Couldn’t be done,” laughed George, and he was just going to tell her how much he liked her little nose, when the waiter arrived with the tea and the band struck up. It was a flute, a guitar, and a violin, and it played so gaily that Fanny felt if she wasn’t careful even the cups and saucers might grow little wings and fly away. George absorbed three chocolate éclairs, Fanny two. The funny-tasting tea—“Lobster in the kettle,” shouted George above the music—was nice all the same, and when the tray was pushed aside and George was smoking, Fanny felt bold enough to look at the other people. But it was the band grouped under one of the dark trees that fascinated her most. The fat man stroking the guitar was like a picture. The dark man playing the flute kept raising his eyebrows as though he was astonished at the sounds that came from it. The fiddler was in shadow.