The Doves' Nest, and Other StoriesMansfield, Katherine
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The Doves' Nest, and Other Stories
Mansfield, Katherine
Fiction; Short stories, New Zealand
Edna had reached the top of the path. There under a new-leafed tree,
hung with little bunches of white flowers, she sat down on a green bench
and looked over the Convent flower-beds. In the one nearest to her there
grew tender stocks, with a border of blue, shell-like pansies, with
at one corner a clump of creamy freezias, their light spears of green
criss-crossed over the flowers. The Convent pigeons were tumbling high in
the air, and she could hear the voice of Sister Agnes who was giving a
singing lesson. _Ah-me_, sounded the deep tones of the nun, and _Ah-me_,
they were echoed....
If she did not marry Jimmy, of course she would marry nobody. The man she
was in love with, the famous actor—Edna had far too much common-sense not
to realize that would never be. It was very odd. She didn’t even want it
to be. Her love was too intense for that. It had to be endured, silently;
it had to torment her. It was, she supposed, simply that kind of love.
“But, Edna!” cried Jimmy. “Can you never change? Can I never hope again?”
Oh, what sorrow to have to say it, but it must be said. “No, Jimmy, I
will never change.”
Edna bowed her head; and a little flower fell on her lap, and the voice
of Sister Agnes cried suddenly _Ah-no_, and the echo came, _Ah-no_....
At that moment the future was revealed. Edna saw it all. She was
astonished; it took her breath away at first. But, after all, what could
be more natural? She would go into a convent.... Her father and mother
do everything to dissuade her, in vain. As for Jimmy, his state of mind
hardly bears thinking about. Why can’t they understand? How can they add
to her suffering like this? The world is cruel, terribly cruel! After
a last scene when she gives away her jewellery and so on to her best
friends—she so calm, they so broken-hearted—into a convent she goes. No,
one moment. The very evening of her going is the actor’s last evening
at Port Willin. He receives by a strange messenger a box. It is full of
white flowers. But there is no name, no card. Nothing? Yes, under the
roses, wrapped in a white handkerchief, Edna’s last photograph with,
written underneath,
The world forgetting, by the world forgot.
Public-domain text, read in full here on John Shaqi.
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