The Doves' Nest, and Other StoriesMansfield, Katherine
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The Doves' Nest, and Other Stories
Mansfield, Katherine
Fiction; Short stories, New Zealand
But really to explain what happened then I should have to go back
and back, I should have to dwindle until my two hands clutched the
banisters, the stair-rail was higher than my head, and I peered through
to watch my father padding softly up and down. There were coloured
windows on the landings. As he came up, first his bald head was scarlet;
then it was yellow. How frightened I was! And when they put me to bed,
it was to dream that we were living inside one of my father’s big
coloured bottles. For he was a chemist. I was born nine years after my
parents were married. I was an only child, and the effect to produce even
me—small, withered bud I must have been—sapped all my mother’s strength.
She never left the room again. Bed, sofa, window, she moved between the
three. Well I can see her, on the window days, sitting, her cheek in her
hand, staring out. Her room looked over the street. Opposite there was a
wall plastered with advertisements for travelling shows and circuses and
so on. I stand beside her, and we gaze at the slim lady in a red dress
hitting a dark gentleman over the head with a parasol, or at the tiger
peering through the jungle while the clown, close by, balances a bottle
on his nose, or at a little golden-haired girl sitting on the knee of
an old black man in a broad cotton hat.... She says nothing. On sofa
days there is a flannel dressing gown that I loathe, and a cushion that
keeps on slipping off the hard sofa. I pick it up. It has flowers and
writing sewn on. I ask what the writing says, and she whispers, “Sweet
Repose!” In bed her fingers plait, in tight little plaits, the fringe of
the quilt, and her lips are thin. And that is all there is of my mother,
except the last queer “episode” that comes later.
My father.... Curled up in the corner on the lid of a round box that held
sponges, I stared at my father so long, it’s as though his image, cut off
at the waist by the counter, has remained solid in my memory. Perfectly
bald, polished head, shaped like a thin egg, creased, creamy cheeks,
little bags under his eyes, large pale ears like handles. His manner was
discreet, sly, faintly amused and tinged with impudence. Long before I
could appreciate it, I knew the mixture.... I even used to copy him in my
corner, bending forward, with a small reproduction of his faint sneer. In
the evening his customers were, chiefly, young women; some of them came
in every day for his famous five-penny pick-me-up. Their gaudy looks,
their voices, their free ways, fascinated me. I longed to be my father,
handing them across the counter the little glass of bluish stuff they
tossed off so greedily. God knows what it was made of. Years after I
drank some, just to see what it tasted like, and I felt as though someone
had given me a terrific blow on the head; I felt stunned.
Public-domain text, read in full here on John Shaqi.
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