The Doves' Nest, and Other StoriesMansfield, Katherine
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The Doves' Nest, and Other Stories
Mansfield, Katherine
Fiction; Short stories, New Zealand
“But there’s one thing,” said Potts, turning and facing him squarely,
“that we’d better be clear about before you do come. And it’s this.”
He pointed his finger at Lino who started as though he expected to be
shot. But he kept his bewildered wistful eyes upon his master. “Stop this
pretence of being a fighting dog,” said Potts more sternly than ever.
“You’re not a fighting dog. You’re a watch dog. That’s what you are. Very
well. Stick to it. But it’s this infernal boasting I can’t stand. It’s
that that gets me.”
In the moment’s pause that followed while Lino and his master looked at
each other it was curious how strong a resemblance was between them. Then
Potts turned again and made for home.
And timidly, as though falling over his own paws, Lino followed after the
humble little figure of his master....
SUCH A SWEET OLD LADY
Why did old Mrs. Travers wake so early nowadays? She would like to
have slept for another three hours at least. But no, every morning at
almost precisely the same time, at half-past four, she was wide awake.
For—nowadays, again—she woke always in the same way, with a slight start,
a small shock, lifting her head from the pillow with a quick glance as if
she fancied someone had called her, or as if she were trying to remember
for certain whether this was the same wallpaper, the same window she
had seen last night before Warner switched off the light.... Then the
small, silvery head pressed the white pillow again and just for a moment,
before the agony of lying awake began, old Mrs. Travers was happy. Her
heart quietened down, she breathed deeply, she even smiled. Yet once
more the tide of darkness had risen, had floated her, had carried her
away; and once more it had ebbed, it had withdrawn, casting her up where
it had found her, shut in by the same wallpaper, stared at by the same
window—still safe—still _there_!
Public-domain text, read in full here on John Shaqi.
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