The Downfall (La Débâcle): A Story of the Horrors of WarZola, Émile
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The Downfall (La Débâcle): A Story of the Horrors of War
Zola, Émile
Franco-Prussian War, 1870-1871 -- Fiction
He continued talking for a long time in imperfect, disjointed phrases;
and Maurice, who remained silent, with anguish in his heart, ended by
understanding him. At about midnight a telegram for the Emperor had
arrived from the Minister of War, in reply to that sent to Paris by
the marshal. The exact wording of the despatch was not known; but an
aide-de-camp had openly declared at the town-hall that the Empress and
the Ministerial Council feared there would be a revolution in Paris
if the Emperor abandoned Bazaine and returned there. Those who had
drawn up the despatch, inaccurately informed as to the true positions
of the German forces, seemed to believe that the army of Châlons had
an advance upon the enemy which it no longer possessed, and with an
extraordinary burst of passion insisted, despite everything, on a
forward march.
'The Emperor sent for the marshal,' added the chemist, 'and they
remained shut up together during nearly an hour. Of course, I don't
know what they said to each other, but all the officers have repeated
to me that we are no longer retreating, and that the march on the Meuse
is resumed. We have just requisitioned all the ovens in the town for
the First Corps, which to-morrow morning will arrive here in place of
the Twelfth, whose artillery, as you can see for yourself, is at this
moment starting for La Besace. This time it's settled; you are marching
to battle.' He paused. He also was looking at the lighted window at the
notary's. Then, with a thoughtful, inquisitive air, he resumed in an
undertone: 'Yes; what can they have said to one another? It's comical
all the same. A man's threatened with danger, and, in order to avoid
it, he decides at six o'clock that he will retreat; then, at midnight,
he rushes head first into that very danger, although the situation
remains identical.'
Public-domain text, read in full here on John Shaqi.
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