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[Illustration: KATE FIELD]
THE DRAMA OF GLASS
BY
KATE FIELD
PUBLISHED BY THE
LIBBEY GLASS CO.
The Drama of Glass was an inspiration born in the brain of Kate Field,
as she watched the busy workmen, who with trained eyes and skillful
hands, wrought out the products of one of America's great industries
that found a temporary home in the World's Fair at Chicago.
It is an addition to the long list of brilliant writings of this
versatile woman, whose literary labors have made her memory so dear to
the thousands of Americans who have found in them the reflection of her
own individuality.
The story of an art that is as old as the building of the City of
Babylon, that formed a part in the life of Egypt, that was interwoven in
the history of Rome, and that gave a reputation to a nation, is re-told
by Miss Field.
From the beginning of the art, wrapped in mystery and legend, step by
step her story has become history. She has carried it as far as the
World's Fair, and it has devolved upon Mr. Thos. M. Willey to complete
what she so well begun.
[Illustration]
PROLOGUE
Have you ever thought what a drama glass plays in the history of the
world? It is a drama even in the French acceptation of the word, which
infers not only intense action, but death. Can there be more intense
action than that of fire, and is not glass the own child of fire and
death?
The origin of glass is lost in myth and romance. Nobody knows how it was
born, but there are as many traditions as there are cities claiming to
be Homer's birthplace. Pliny says that the discovery of glass was due to
substituting cakes of nitre for stones as supports for cooking pots.
[Illustration]
According to his story, certain Phoenician merchants landed on the
coast of Palestine and cooked their food in pots supported on cakes of
nitre taken from their cargo.
Great was the wonder of these Phoenicians--the Yankees of antiquity,
the builders of Tyre and Sidon, the inventors of the alphabet--on
beholding solid matter changed to a strange fluid, which voluntarily
mingled with its nearest neighbor, the sand, and made a transparent
material now called glass.
[Illustration]
This story is too pretty to spoil, and those of us who prefer romance to
science will believe it, though Menet the chemist positively declares
that to produce such a fluid would require a heat from 1800 to 2700
degrees Fahrenheit. Under the circumstances narrated by Pliny, such a
tremendously high temperature was impossible. Science often interferes
with romance, and were not truth better even than poetry, science would
be a nuisance in literature.
Public-domain text, read in full here on John Shaqi.
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