The Drama of Love and Death: A Study of Human Evolution and TransfigurationCarpenter, Edward
Philosophy
The Drama of Love and Death: A Study of Human Evolution and Transfiguration
Carpenter, Edward
Death; Love; Personality
This last I think we are especially entitled to say, on account of what
has been already done in the way of photographing the cloud-figures
(some of them very definite in outline) which are found to emanate on
occasions from mediums in the state of trance. For notwithstanding the
doubt which has commonly been cast on all such photographs and
notwithstanding the very obvious ease with which cameras can be
manipulated and shadow-figures of some kind fraudulently produced, the
evidence for the genuineness of some such ‘spirit’ photographs is—to
any one who really studies it—beyond question. The celebrated “Katie
King,” who appeared at seances in connection with the medium Florence
Cook, and during a period of two years or more was seen by some hundreds
of people—and especially studied by Sir William Crookes—was
photographed several times under test conditions.[97] Professor Charles
Richet, who when he first heard of Crookes’ conclusions was convulsed
with laughter over their supposed absurdity, afterward confessed his
error,[98] for time after time he not only saw a phantasm (“Beni Boa”)
in connection with the Algerian medium Aisha, but obtained photographs
of the same.[99] Dr. A. R. Wallace, in a long note, pp. 190, 191 of his
book, _Miracles and Modern Spiritualism_, gives a careful description of
his own experiments in this line. Several different figures were at
different times photographed in connection with Mme. D’Espérance; and
the very detailed account, with illustrations, which she gives of these
phenomena in ch. xxvii. of her book, _Shadowland_, must give the
unbeliever pause. And so on.[100] The evidence is so abundant, and so on
the whole so well confirmed, that we are practically now compelled to
admit (and this is the point in hand) that cloud-like forms of human
outline emanating from a medium’s or other person’s living body may at
times be caught by the photographic plate. And this is important because
it removes the phenomenon from the region of the fanciful or imaginative
and gives it automatic and objective registration.
That these forms occurring and occasionally photographed in connection
with mediums are independent ‘spirits’ or souls is of course in no way
assumed. They may be such, or (what seems more likely) they may be
simply extensions of the spiritual or inner body of the medium. The
point that interests us here is that their appearance in either case
points to the actual existence of such an inner body, capable of
becoming extruded from the gross body, and of becoming the seat and
manifestation of intelligence. Further than that we need not go at
present.
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