The Drama of Love and Death: A Study of Human Evolution and TransfigurationCarpenter, Edward
Philosophy
The Drama of Love and Death: A Study of Human Evolution and Transfiguration
Carpenter, Edward
Death; Love; Personality
But it will be objected, if the inner or spiritual body is, as has just
been supposed, of such a subtle and tenuous nature as to be in itself
quite invisible, what connection can this have with phantoms that can be
photographed, or that can be seen, or that can be actually touched and
handled? This question—the question as to how an excessively rare and
tenuous and invisible being may gradually condense and materialize so as
to come first within the region of photographic activity, and then
within the region of normal visibility, and so on into audible and
tangible and material existence and operation, I shall discuss more at
length in the next chapter. Suffice it here to point out that the
general consensus of thoughtful opinion on this subject at the present
time points to a probable condensation of some kind, and utilization of
such suitable materials as may be to hand, by which the subtle inner
body gradually clothes itself in an outer and denser garment. Whether
with Fournier d’Albe we suppose a soul-like core to every single cell,
or whether we take a more diffused and general view, in any case we seem
compelled to believe that our actual bodies are carried on by organizing
powers distributed in centres throughout the body.[101] If by any means
these vital centres were separated from the gross body, it would still
seem natural for them to continue their organizing activity whenever
they were surrounded with suitable material. And if, as seems likely, in
the case of mediums and seances, a considerable quantity of loose
floating organic material is commonly evolved from the bodies of those
present, such effluences might be quickly caught up and condensed by any
such vital centres present into more or less visible forms and figures.
Public-domain text, read in full here on John Shaqi.
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