The Drama of Love and Death: A Study of Human Evolution and TransfigurationCarpenter, Edward
Philosophy
The Drama of Love and Death: A Study of Human Evolution and Transfiguration
Carpenter, Edward
Death; Love; Personality
Again, in this connection, it is often urged against the reality of
spirit-forms, ghosts, and so forth, that they cannot bear a strong
light; and this is held to dispose of all their claims for
consideration. But what has just been said shows that on the contrary
such an effect is just what might be expected. The delicate growing
structure, whose particles were just large enough to reflect the smaller
light-waves, might easily be broken up and quite disintegrated by the
larger and more powerful weaves of a strong glare—just as, in fact,
_our_ forms, which can endure light, are broken up and disintegrated by
the still larger waves of intense _heat_. Katie King, who, as before
mentioned, appeared so many times in connection with the medium Florence
Cook, was frequently seen to fade away if the light was too strong. “At
the earlier seances she could only come out of the cabinet for a few
seconds at a time, once or twice during the seance; she had to go back
quickly into the cabinet to gather fresh power from her medium, saying
that the strong and unaccustomed brilliancy of the light made her ‘melt
quite away.’”[107] And Nepenthes, that finely formed and beautiful
figure which appeared in connection with Mme. D’Espérance, was more than
once seen, by a large company assembled, to walk by the side of the
medium up to the open French window at the end of the room and then to
disappear as she came into the full daylight.[108]
Photographs, it may be noticed, of forms appearing at seances, or in
connection with sitters, vary from mere cloudlike masses without or
almost without shape to very distinct human figures with much detail of
feature and dress,[109]—the same figure being often recognized in
various stages of clearness and definition. And this is interesting
because it entirely corroborates the observations made in hundreds of
seances, and in other cases, in which a form is first distinguished by
the eye as a faintly luminous cloud, and gradually grows in distinctness
and definition till it becomes visible in all detail, and even tangible.
Mme. D’Espérance, whose book, _Shadowland_, should be read on account of
its intelligent handling and obvious sincerity, as well as on account of
the remarkable phenomena reported, describes (p. 151) the first occasion
on which a ‘materialization’ appeared to her:—“One evening, for some
reason or other, we were sitting without a lighted lamp. The daylight
had not faded when we commenced the sitting, but though it grew dark no
one suggested making a light. Happening to glance over to the part of
the room where the shadows were deepest it seemed to me that there was a
curious cloudy luminosity standing out distinct and clear from the
darkness. I watched it for a minute or two without saying anything,
wondering where it came from and how it was caused. I thought it must be
a reflection from the street lamps outside, though I had never seen it
like that before. While I watched, the luminous cloud seemed to
Public-domain text, read in full here on John Shaqi.
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