The Drama of Love and Death: A Study of Human Evolution and TransfigurationCarpenter, Edward
Philosophy
The Drama of Love and Death: A Study of Human Evolution and Transfiguration
Carpenter, Edward
Death; Love; Personality
concentrate itself, become substantial, and form itself into a figure of
a child, illuminated as it were by daylight that did not shine on it
but, somehow, from within it—the darkness of the room seeming to act as
a background, throwing up by contrast every curve of the form and every
feature into strong relief.” And in another passage she says:—“As soon
as I have entered the mediumistic cabinet my first impression is of
being covered with spider webs. Then I feel that the air is filled with
substance, and a kind of white and vaporous mass, quasi-luminous, like
the steam from a locomotive, is formed in front of the abdomen. After
this mass has been tossed and agitated in every way for some minutes,
sometimes even for half-an-hour, it suddenly stops, and then out of it
is born a living being close by me.”[110]
Another figure—that of Yolande (a young woman)—is mentioned in the
same book (p. 254) as appearing again and again out of such a filmy
cloudy patch on the floor. Similarly, Professor Richet noticed over and
over again the outgrowth of a figure (Beni Boa) from a white cloud.
“Near the cabinet we could see, betwixt the curtain and the table, a
whitish globe forming, luminous, and rotating on the floor; from this
globe Beni Boa sprang.” The figure would then walk round the room and
disappear again; but after a time the white cloud would again form and
Beni Boa reappear. And Professor Lombroso, alluding to this,
says:[111]—“This observation is of great importance, since it is not
possible to attribute to fraud the formation of a luminous patch on the
floor which transforms itself into a living being.” Further, Lombroso
says:—“Five photographs were obtained at these sittings by magnesium
and chlorate of potash light, with a Kodak and with a Richard
stereoscopic apparatus simultaneously, which fact excludes the
possibility of photographic fraud; and all the plates were developed in
Algeria by an optician who was unaware of what had preceded. On the
plates appeared a tall figure wrapped in a white mantle” (and similar to
the figure which the seven sitters present at the seances had seen).
Public-domain text, read in full here on John Shaqi.
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