The Drama of Love and Death: A Study of Human Evolution and TransfigurationCarpenter, Edward
Philosophy
The Drama of Love and Death: A Study of Human Evolution and Transfiguration
Carpenter, Edward
Death; Love; Personality
Thus (with the corroborating evidence of Crookes’ thermometer) we may
suppose that, after all, the cold airs and shivering sensations which
seem so often to accompany apparitions may not be merely subjective to
the observer, but may be real phenomena due to physical condensations
taking place in his immediate proximity. Moreover, it has to be noted
that the condensations may not be merely of water-vapor, but of other
substances as well, namely (according to an opinion now gaining ground),
of fine matter or effluences provided by the bodies of the sitters
present (or some of them) as well as by the body of the medium. The
passage last quoted from _Shadowland_ continues: “then began a strange
sensation, which I had sometimes felt at seances. Frequently I have
heard it described by others as of cobwebs being passed over the face,
but to me, who watched it curiously, it seemed that I could feel fine
threads being drawn out of the pores of my skin.” And in another
passage[117] the same writer describes the cloud which precedes a
materialization as “a slightly luminous haze” which often appears “about
the head, shoulders, elbows and sometimes the knees and feet (of the
medium). Frequently it gathers slowly at the fingers, increasing in
density till it resembles a slight transparent film of slightly luminous
cotton wool.” Further, she explains that it goes on condensing till it
becomes cobwebby and perceptible to touch. The evidence generally seems
to show that these clouds are of the nature of effluences from the
medium or other person present; and the above quotation affords
corroboration of that view and makes easily intelligible the great
exhaustion from which mediums often suffer on these occasions. It
suggests also that the condensation is by no means of water-vapor only,
but of other substances drawn from the interior vitality of the persons
concerned, and necessary for the building up of the apparitional form.
Public-domain text, read in full here on John Shaqi.
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