The Drama of Love and Death: A Study of Human Evolution and TransfigurationCarpenter, Edward
Philosophy
The Drama of Love and Death: A Study of Human Evolution and Transfiguration
Carpenter, Edward
Death; Love; Personality
I have alluded to this cloud-formation before as characteristic of an
early stage of the appearance of these figures, and as suggesting a
process of condensation going on. Lombroso, from various considerations
which he brings forward (p. 185),[112] seems convinced that the
phenomena of these forms are largely connected with radio-activity. He
says:—“It would seem that these bodies belong to that further state of
matter, the radiant state, which now at last has established a firm
footing in science—and which thus offers the only hypothesis which can
reconcile the ancient and universal belief in the persistence of some
form of life after death with the postulates of science which maintain
that without organ there can be no function.” This radio-active
condition of matter is of course that finest and most active state
represented by the electrons—in which each electron is excessively
minute,[113] yet moves at enormous speed, and carries with it an
electric charge. It connects itself with condensation in this way, that
“an electric charge assists vapor to condense,” and “where ions (_i.e._
positively or negatively charged particles) are present in considerable
numbers a thick mist will form whenever the space is saturated with
vapor.”[114] And Fournier d’Albe says:[115]—“In the physical theory of
ionization and condensation we have become familiar with the fact that
the smallest charged particles are the most effective promoters of
condensation. In fact, it would suffice to extract a very small
proportion of the innumerable electrons within the body to bring about a
vigorous condensation in the moist air around it.”
Thus it is quite probable that the cloud-formation, which in general
precedes the manifestation of distinct figures, is due to condensation,
and in part at any rate to a condensation of water-vapor on the
accreting particles of the spirit-body. And this is made the more
probable by the strong sensation of _cold_ which so frequently
accompanies these appearances, and which is a common accompaniment of
condensation. Crookes, in his _Researches_, emphasizes this in
connection with almost all the phenomena, and says[116] they “are
generally preceded by a peculiar cold air, sometimes amounting to a
decided wind. I have had sheets of paper blown about by it, and a
thermometer lowered several degrees. On some occasions ... the cold has
been so intense that I could only compare it to that felt when the hand
has been within a few inches of frozen mercury.” Some such sensation
seems to be quite a common experience, and the authoress of
_Shadowland_, speaking of her earlier sittings (p. 228), says:—“It was
not long before the same strange disturbances in the air began as on the
previous occasion. I felt my hair blown and lifted by currents of air,
and cool breezes played about my face and hands.”
Public-domain text, read in full here on John Shaqi.
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