The Drama of Love and Death: A Study of Human Evolution and TransfigurationCarpenter, Edward
Philosophy
The Drama of Love and Death: A Study of Human Evolution and Transfiguration
Carpenter, Edward
Death; Love; Personality
organs.”[125] It is evident—however we may explain the matter—that
activities and sensibilities do persist and manifest themselves in the
human organism quite independent of the ordinary and stereotyped
end-organs, and this fact must go far to persuade us, not only that
there is an inner, a more subtle, and a more durable body than that
which we usually recognize, but that in some respects this latter body
is a limitation and a hindrance to the activity of the former, and to
the swiftness and range of the perceptions of the soul.
* * * * *
What, then, it will naturally be asked, is the object or purpose or use
of our incarnation in this grosser body?—why, if there is such an
ethereal or spiritual frame within, should it thus tend to accrete
denser particles upon itself and ultimately to clothe itself in a
vesture of so opaque and material a nature? It would be rash to attempt
to answer so profound a question offhand—off one’s own bat as it were;
and still more rash perhaps to accept any of the ready-made answers
which are offered in such profusion, and in so many different jargons
and lingos, by the sects and schools, from the Gnostics and Theosophists
to the most philistine of the chapels and churches. Yet if one may
venture a suggestion, it would seem rather likely that the object and
purpose and use of this process by which the soul is entangled in
matter, and its operation and perception so strangely hampered and
limited, is—limitation; that _limitation_ itself and even _hindrance_
are part and parcel of the great scheme of the soul’s deliverance. But
the further consideration of this I will defer to a later chapter.[126]
CHAPTER XII
REINCARNATION
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