The Drama of Love and Death: A Study of Human Evolution and TransfigurationCarpenter, Edward
Philosophy
The Drama of Love and Death: A Study of Human Evolution and Transfiguration
Carpenter, Edward
Death; Love; Personality
Nor is there any call to think of a _bodiless_ heaven or bodiless state
of being in any plane of existence. The body in any stage or state is, I
repeat, a surface of contact. Wherever one intelligent being comes into
touch with another—whether actively, by impressing itself on the other,
or passively by being impressed—there immediately arises a body. There
arises the sense of matter, which is in fact the _impression_ made by
one being upon another. The external senses, of sight, hearing and the
rest, are modifications or limitations of more extended inner faculties,
of vision, audition, and so forth. The actual world of Nature which we
know, in the bodies of the woods and streams, and of animals and men, is
built up out of the material of our senses; out of the kind of
impressionability of which our senses are susceptible; but if these
materials, of our sight and hearing and touch and taste, were altered
but slightly in their range, the whole world would be different. They
would create for us another world. And so, if these present end-organs
of sense were destroyed, the soul, furnished with the inner faculties
corresponding, would create another world of sense and of Nature, which
would become the medium of expression and communication on that new
plane, and the material of its bodily manifestation there. At present,
owing to entanglement in the grosser senses, life is certainly in the
main a matter of food and drink, of sex, of money-making, and the
exercise of rather rude recreations and arts. With a finer range of
sense, there would still remain the roots and realities of these things;
the need of sustenance would still survive in the finer body, and the
need of interchange and the indrawing of vitality; the hunger of union
and of intercourse would remain—to be expressed in some shape or other;
the delight in music and in beauty of form would be no less, though
sounds and colors might be different from those we know; and all the
faculties that we have—and others too that are now only embryonic with
us—would demand their exercise and expression. Out of such demands and
needs would arise a corresponding world.
Public-domain text, read in full here on John Shaqi.
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