The Drama of Love and Death: A Study of Human Evolution and TransfigurationCarpenter, Edward
Philosophy
The Drama of Love and Death: A Study of Human Evolution and Transfiguration
Carpenter, Edward
Death; Love; Personality
I have suggested above (ch. xi.) how, deep in the subliminal self, there
lies a marvellous faculty of producing visible and audible
phenomena—Visions and Voices and Forms. Out of the depths of being
these can be evoked, and bodied forth into the actual world.[137] In
other words, each such Self, in its moods of power, can call forth its
own thoughts and mental images with such force as to impress them
irresistibly on others within its range—with such force, in fact, as to
give them a material vesture and location. What we have said of the
vastness and range of the human Under-self, of its swift interrelation
with others, of the immensity of its memory extending far back into the
deeps of time, must convince us that its powers of creation must be
correspondingly wonderful. The phenomena exhibited by entranced mediums,
and by hypnotized subjects, are only a sample of these powers; but they
hint dimly to us that when we understand ourselves, and what we are, and
when we understand others, and what they are, Time and Space and
Estrangement will no longer avail against us; they will no longer hinder
us from recognition of each other, nor hold us back from the spheres to
which we truly belong, and the fulfilment of our real needs and desires.
Man is the Magician who whether in dreams or in trance or in actual life
can, if he wills it, raise up and give reality to the forms of his
desire and his love. It is not necessary for us feverishly to pursue our
loved ones through all the fading and dissolving outlines of their
future or their past embodiments. They are ours already, in the deepest
sense—and one day we shall wake up to know we can call them at any
moment to our side; we shall wake up to know that they are ever present
and able to manifest themselves to us out of the unseen.
CHAPTER XV
THE MYSTERY OF PERSONALITY
It will have been noticed that throughout this book there has been a
tendency to return again and again to the question of what we mean by
the Self. As I have said before (see ch. xii., _supra_), one might very
naturally suppose that as the _ego_ underruns all experience, and we
cannot make any observation of the world at all except through its
activity, the general problem of the nature of the ego would be the
first to be attacked, and the very first to be solved; whereas,
curiously enough, it seems to be the last! Only towards the conclusion
of philosophical speculation does the importance of this problem force
itself on men’s minds. Nevertheless, I think we may say that in the
department of philosophy it is the great main problem which lies before
this age for solution; and that one of the greatest services a man can
do is—by psychologic study and manifold experience, by poetical
expression, especially in lyrical form, and by philosophic thought and
investigation—to make clear to himself and the world what he means by
the letter ‘I,’ what he means by his ‘self.’
Public-domain text, read in full here on John Shaqi.
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