The Drama of Love and Death: A Study of Human Evolution and Transfiguration — John Shaqi
The Drama of Love and Death: A Study of Human Evolution and TransfigurationCarpenter, Edward
Philosophy
The Drama of Love and Death: A Study of Human Evolution and Transfiguration
Carpenter, Edward
Death; Love; Personality
Of course for this continuance and permanence of love there must be a
certain amount of continence, not only physical, but on the emotional
plane as well. Anything like nausea, created by excess on either of
these planes, has to be avoided. New subjects of interest, and points of
contact, must be sought; temporary absences rather encouraged than
deprecated; and lesser loves, as we have already hinted, not turned into
gages of battle. Few things, in fact, endear one to a partner so much as
the sense that one can freely confide to him or her one’s _affaires de
cœur_; and when a man and wife have reached this point of confidence in
their relation to each other, it may fairly then be said (however
shocking this may sound to the orthodox) that their union is permanent
and assured.
Nothing can, in the longer enduring values of love, well take the place
of some such chivalrous mutual consideration which reaches the finest
fibres of the heart, and offers a perfect freedom even there. Ellen
Key—to quote her _Ueber Liebe und Ehe_[35] again—says, “Fidelity [in
love] can never be promised, but may be _won afresh_ every day;” and she
continues, “It is sad that this truth—which was clear enough to the
chivalrous sentiment of the old courts of Love—must still to-day be
insisted on. One of the reasons, in fact, which these courts gave, why
love was not compatible with Marriage, was ‘that the wife could never
expect from her husband the fine consideration that the Lover is bound
to exhibit, because the latter only receives as a favor what the husband
takes as his right.’” To preserve love through years and years with this
halo of romance still about it, and this tenderness of devotion which
means a daily renewed gift of freedom, is indeed a great Art. It is a
great and difficult Art, but one which is assuredly “worth while.”
The passion altogether, and in all its aspects, is a wonderful thing;
and perhaps, as remarked before, the less said about it, the better!
When people—I would say—come (not without clatter) and offer you their
hearts, do not pay _too_ much attention. What they offer may be genuine,
or it may not—they themselves probably do not know. Nor do _you_ also
fall into a like mistake, offering something which you have not the
power to give—or to withhold. Silence and Time alone avail. These
things lie on the knees of the gods; which place—though it may seem, as
someone has said, ‘rather cold and uncomfortable’—is perhaps the best
place for them.
CHAPTER V
THE ART OF DYING
Public-domain text, read in full here on John Shaqi.
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