The Drama of Love and Death: A Study of Human Evolution and TransfigurationCarpenter, Edward
Philosophy
The Drama of Love and Death: A Study of Human Evolution and Transfiguration
Carpenter, Edward
Death; Love; Personality
Such, very roughly stated, was the attitude of the fairly intelligent
and educated man about fifty years ago, but since that time the
outgrowths of science and human inquiry have been so astounding as to
leave that position far behind. The obvious signs of intelligence in the
minutest cells, almost invisible to the naked eye, the very mysterious
arcana of growth in such cells (partly described in a former chapter),
the myriad action of similarly intelligent microbes, the strange
psychology of plants, and the equally strange psychic sensitiveness
(apparently) of _metals_, the sudden transformations and variations both
of plants and animals, the existence of the X and N rays of light, and
of countless other vibrations of which our ordinary senses render no
account, the phenomena of radium and radiant matter, the marvels of
wireless telegraphy, the mysterious facts connected with hypnotism and
the subliminal consciousness, and the certainty now that telepathic
communication can take place between human beings thousands of miles
apart—all these things have convinced us that the subtlest forces and
energies, totally unmeasurable by our instruments, and saturated or at
least suffused with intelligence, are at work all around us. They have
convinced us that gloomy phrases about cold suns and dead earths are
mere sentiment and nonsense. Cold worlds there may certainly be, but
nothing is more certain than that worlds on worlds, and spheres on
spheres, stretch behind and beyond the actually seen—spheres so
microscopic as to totally elude us, or so vast and cosmic as to elude,
spheres of vibration which elude, spheres of other senses than ours,
spheres aerial, ethereal, magnetic, mental, subliminal. The iris-veil of
our ordinary existence may truly be rent, but the visible world, the
world we know, is no longer now a film on the surface of an empty
bubble, but a curtain concealing a vast and teeming life, reaching down
endless, in layer on layer, into the very heart of the universe. And
whereas, in the former time of which I have been speaking, we might have
agreed that life could not well continue after the death of the body,
to-day we should, as a first guess, be inclined to think that life is
_more_ full and rich on the other side of death than on this side. “I do
not doubt,” says Whitman, “that from under the feet and beside the hands
and face I am cognizant of, are now looking faces I am not cognizant of,
calm and actual faces—I do not doubt interiors have their interiors,
and exteriors have their exteriors, and that the eyesight has another
eyesight, and the hearing another hearing, and the voice another voice.”
Public-domain text, read in full here on John Shaqi.
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