The Drama of Love and Death: A Study of Human Evolution and TransfigurationCarpenter, Edward
Philosophy
The Drama of Love and Death: A Study of Human Evolution and Transfiguration
Carpenter, Edward
Death; Love; Personality
We come, then, to this problem of Death and Birth in a similarly
modified spirit, and with a predisposition to believe that they do
really indicate passages from one definite world or plane or region of
existence to another. And here is the place to point out, and to guard
ourselves against, a common error in the use of the word Death. Death is
not a _state_. There may be an after-death state; but death itself is
the _passage_ into that state, or—better—the passage out of the
present state. So Birth is not a state. There may be a pre-birth state;
but birth itself is the passage into the present state. Either we pass
through death into another life and condition of being; or else we are
extinguished. In the former case there is clearly no _state_ of death;
and in the latter case there is no such state—because there is no self
to _be_ dead or to know itself dead. As Lucretius says,[49] endeavoring
to disabuse man of the fear of the grave:—
“So to be mortal fills his mind with dread,
Forgetting that in real death can be
No self, to mourn that other self as dead,
Or stand and weep at death’s indignity.”
Birth and Death, then, we may look upon as two contrary movements, to
some degree complementary and balancing each other; and it is possible
that thus, from consideration of the one, we may be able to infer things
about the other. One such thing that we may be able to infer is that
Love presides over, or is intimately associated with, both movements.
The connection of Love with Birth is of course obvious. In some profound
yet hidden way, almost throughout creation, the birth or generation of
one creature is connected with the precedent love and sex-fusion of two
others. And the connection of Love with Death, though not so prominent,
can similarly almost everywhere be traced. The whole of poetry in
literature teems with this subject; and so does the poetry of Nature! If
we are to believe the Garden of Eden story, Love and Death came into the
world together; and it certainly is curious that in the age-long
evolution of animal forms the same thing seems to have happened. The
Protozoa at first, propagating by simple division, were endued with a
kind of immortality. But then came a period when a pair found they could
enter into a joint life of renewed fecundity by fusing with each other.
They literally died in each other, and rose again in a numerous progeny;
so that love and death were simultaneous and synonymous. Sometimes
parturition and death were simultaneous. The mother-cell perished in the
very act of giving birth to her brood. Then again came the aggregation
of cells into living groups—the formation of ‘colonial’ organisms; and
it was then that distinctive sex-differentiation and sex-organs
appeared, and with the capacity of sex also the capacity of death
through the disruption of the colony. Everywhere love is associated with
death. The expenditure of seed in the male animal is an incipient death;
Public-domain text, read in full here on John Shaqi.
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