The Drama of Love and Death: A Study of Human Evolution and TransfigurationCarpenter, Edward
Philosophy
The Drama of Love and Death: A Study of Human Evolution and Transfiguration
Carpenter, Edward
Death; Love; Personality
Another thing, about which we may be able to infer something from the
analogy between Birth and Death, is the fate of the soul at death. If we
can trace in any way the relation of the soul to the body at the time of
the first appearance of the latter, that may shed light on the relation
which will hold at its disappearance. We cannot certainly define very
strictly what we mean by the word ‘soul’; but we are all very well aware
that associated with our bodies, and in some sense pervading them with
its intelligence, is a conscious (as well as subconscious) being which
we call the self or soul; and we are all puzzled at times to understand
what is the relation between this and the body. Now we have seen (ch.
ii.) the genesis of the body from a single fertilized cell or germ
almost microscopic in size, and its growth by continual and myriadfold
division into, say, a human form; and we have seen that every cell in
the perfect and final form—every cell, of eye, or liver, or of any part
or organ—is there by linear descent or division from that first cell,
though variously adapted and differentiated during the process. We are
therefore almost compelled to conclude that that intelligent self
(conscious or subconscious) which we are so distinctly aware of as
associated with our mature bodies was there also, associated with the
first germ.[51] It may not truly have been outwardly manifest or
unfolded into evidence at that primitive stage. It could not well be.
But it was there, even in its totality, and unless it had been there, we
could not now be what we are. The conscious and subconscious self has
been within us all along, unfolding and manifesting itself with the
unfoldment and development of the body; and indeed to all appearances
guiding that development. And more, we may fairly say—having regard to
the mode of development of the tissue—that it dwells even in its
entirety within every normal and healthy cell of our present bodies, and
is the formative essence thereof.
Let me give an illustration. Sometimes in the morning you may see a bush
glittering all over with dewdrops; every leaf has such a tiny jewel
hanging from it. If now you look you will see in each dewdrop a
miniature picture of the far landscape. Or, to take a closer
illustration, some shrubs have, embedded in the very tissue of their
leaves, tiny transparent and lens-like glands which yield to close
scrutiny similar miniatures of the world beyond. Exactly, then, like
these plants, we may think of the whole human body as trembling in
light—each cell containing (if we could but see it!) a luminous image
of the presiding genius or self of the body.
Public-domain text, read in full here on John Shaqi.
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