The Drama of Love and Death: A Study of Human Evolution and TransfigurationCarpenter, Edward
Philosophy
The Drama of Love and Death: A Study of Human Evolution and Transfiguration
Carpenter, Edward
Death; Love; Personality
the formation of the seed vessel, and the glory and color of the
flowering plant, are already the signs of its decay. “Both Weismann and
Goette,” say Geddes and Thomson,[50] “note how many insects (locusts,
butterflies, ephemerids, and so forth) die a few hours after the
production of ova. The exhaustion is fatal, and the males are also
involved. In fact, as we should expect from the katabolic temperament,
it is the males which are especially liable to exhaustion.... Every one
is familiar with the close association of love and death in the common
May-flies. Emergence into winged liberty, the love-dance, and the
process of fertilization, the deposition of eggs, and the death of both
parents, are often the crowded events of a few hours. In higher animals,
the fatality of the reproductive sacrifice has been greatly lessened,
yet death may tragically persist, even in human life, as the direct
Nemesis of love.”
George Macdonald, in one of his books (_Phantastes_, vol. i. p. 191),
feigns a race of beings, for whom death is not so much the ‘nemesis’ of
love, as its natural and inevitable outcome. Seized by a great love, too
great for mortal expression, “looking _too_ deep into each other’s
eyes,” they (with great presence of mind, it must be said!) breathe
their souls out in death, and so take their departure to another world.
Heine touches the same note in his poem, the “Asra”:—
“Ich bin aus Jemen,
Und mein stamm sind jene Asra,
Welche sterben wenn sie lieben.”
And scores of scarcely noticed paragraphs in our daily papers, brief
tales of single or double suicide, present us with a dim outline of
how—even in the mean conditions and surroundings of our modern
days—every now and then there comes to one or other a longing, a
passion, and a revelation of a desire so intense, that, breaking the
bounds of a useless life, it demands swift utterance in death.
Some deep and profound suggestion there is in all this—some hint of a
life whose very form and nature is love, and which finds its deliverance
and nativity only through the abandonment of the body—even as our
ordinary life, conceived in love, finds its delivery into this world
through what we call birth. At the very least it suggests that Death may
have a great deal more to do with Love, and may be more deeply allied to
it than is generally supposed. And it may suggest that the two things,
being in some sense the most important occupations of the human race,
should be frankly recognized as such, and should both be accordingly
prepared for.
Public-domain text, read in full here on John Shaqi.
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