The Drama Of Three Hundred & Sixty-Five Days: Scenes In The Great WarCaine, Hall, Sir
History
The Drama Of Three Hundred & Sixty-Five Days: Scenes In The Great War
Caine, Hall, Sir
World War, 1914-1918
Three millions of men were dead by this time, and that belt of green
country, which many of us had crossed with light hearts a score of
times, was nothing now but a vast graveyard stretching from the foot of
the Swiss mountains to the margin of the North Sea. Here a charred and
blackened mass of stones, which had once been a group of houses; there a
cottage by the roadside, once sweet and pretty under its mantle of wild
roses, now hideous with a gaping hole torn in its walls, and its little
bed visible behind curtains that used to be white. And yet Nature was
going on the same as ever--hardly giving a hint that the Great Death had
passed that way. Our boys at the front wrote home that the leaves were
beginning to show on the trees, that the grass was growing again, and
that in the lulls of the cannonading they could hear the birds singing.
NATURE GOES HER OWN WAY
We found it heart-breaking. But it has been always so. I was in Naples
during the whole period of the last great eruption of Vesuvius, and,
looking through the gloom of the heavens, piled high with the whorls of
fire and smoke that were covering the Vesuvian valleys and villages
with a grey shroud, waist deep, of volcanic dust, I thought the face of
Nature in that sweet spot could never be the same again; but when I
went back to it a year later I could see no difference. I sailed south
through the Straits of Messina a few weeks before the earthquake, and,
returning north a few months later, I looked eagerly for the change
which I imagined must have been made by the frightful upheaval of the
earth that had killed hundreds of thousands, and shaken the soul of the
entire human family, but I could see no change at all, even through
the strongest field-glasses, until I came within sight of the waste
and wreckage of the little works of men. Yes, Nature goes her own way,
winter and summer, seedtime and harvest, healing her own wounds, but
taking no thought of ours.
Public-domain text, read in full here on John Shaqi.
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