The Dramas of Victor Hugo: Mary Tudor, Marion de Lorme, EsmeraldaHugo, Victor
General
The Dramas of Victor Hugo: Mary Tudor, Marion de Lorme, Esmeralda
Hugo, Victor
French drama -- 19th century -- Translations into English
As you say, it is very extraordinary. But what can you expect? The
Queen is crazy. She doesn't know what she wants. You can't count upon
anything. She is a woman. I would like to know what she is here for.
Well! a woman's heart is a riddle of which King Francis I. wrote the
solution on that pane of glass at Chambord--
"A woman's heart is most capricious;
Who trusts her, finds life not propitious."
Listen to me, Master Eneas. We are old friends; we must get through
with this thing to-day. Everything here depends upon you. If you are
ordered--[_He whispers to Eneas_] be slow about it; let it fall
through skillfully. Let me have two clear hours before me to-night,
and what I want will be accomplished; to-morrow there will be no
favorite. I shall be all-powerful, and you will be baronet and
lieutenant of the Tower the day after. Do you understand?
MASTER ENEAS.
I understand.
SIMON RENARD.
Very well. Some one is coming. We must not be seen together. Go out
that way. I am going to meet the Queen. [_They separate._
SCENE III
_A Jailer enters with caution, then ushers in Lady Jane._
THE JAILER.
You are where you wished to be, my lady. Here are the doors to the
two cells. My recompense, now, if you please.
[_Jane unfastens her diamond bracelet and gives it to him._
JANE.
There it is.
THE JAILER.
Thanks. Don't compromise me.
[_He goes out._
JANE (_alone_).
Kind Heaven! What shall I do? It is I who have destroyed him. I must
be the one to save him! I can never do it, never! A woman can do
nothing! The scaffold-- The scaffold! Oh, it is horrible! Come, no
more tears; let us have action! I never can do it! I never can do it!
Have mercy on me, my God! I think some one is coming. Whose voice is
that? I recognize it. It is the Queen's voice! Ah, all is lost!
[_She hides behind a pillar. The Queen and Simon Renard enter._
SCENE IV
_The Queen; Simon Renard; Jane, concealed_
THE QUEEN.
Ah, the change surprises you? I am no longer myself? Well, what does
that matter to me? It is the truth! I don't want him to die--now!
SIMON RENARD.
Yet yesterday, your Majesty ordered the execution to take place
to-day.
THE QUEEN.
As I ordered the day before, that the execution should take place
yesterday. As I ordered Sunday that the execution should take place
Monday. To-day I ordered the execution to take place to-morrow.
SIMON RENARD.
As a matter of fact, since the second Sunday in Advent, when the
decision was pronounced in the Star Chamber, and the two criminals
came back to the Tower preceded by the executioner with the ax turned
toward them--and that was three weeks ago--every day since then your
Majesty has put the matter off until to-morrow.
THE QUEEN.
Public-domain text, read in full here on John Shaqi.
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