The Dramas of Victor Hugo: Mary Tudor, Marion de Lorme, Esmeralda — John Shaqi
The Dramas of Victor Hugo: Mary Tudor, Marion de Lorme, EsmeraldaHugo, Victor
General
The Dramas of Victor Hugo: Mary Tudor, Marion de Lorme, Esmeralda
Hugo, Victor
French drama -- 19th century -- Translations into English
I can't. You know, I told you before, Jane, I have some work to do in
my shop to-night. I must engrave the handle of a dagger for some Lord
Clanbrassil, whom I have never seen, and who wants it to-morrow
morning.
JANE.
Then good-night, Gilbert. Until to-morrow!
GILBERT.
No, Jane, wait a moment. Heaven! how it hurts me to leave you, even
for a few hours. How true it is that you are my life and my joy. Yet
I have to work--we are so poor. I won't go in, because I should stay;
and yet I can't leave you, weak man that I am. Let us sit down by the
door a few moments, on this bench. I think it will be easier to go
from here than if I went into the house, and, above all, into your
room. Give me your hand.
[_He sits and takes her hands in his; she stands._
Jane, do you love me?
JANE.
Oh, I owe you everything, Gilbert. I know it, although you have
concealed it from me a long time! When I was little, almost in my
cradle, my parents abandoned me, and you took me. For sixteen years
your hand has worked for me as if you were a father; your eyes have
watched over me like a mother. What would I be without you, just
Heaven! All I have, you have given me; all I am, you have made me.
GILBERT.
Jane, do you love me?
JANE.
What devotion yours has been, Gilbert! You work for me, night and
day; you wear your eyes out, you kill yourself for me. You are going
to sit up all night again to-night. And never a reproach to me, never
an unkindness, never an angry word! You are very poor, yet you
remember all my small womanly vanities; you gratify them. Gilbert,
whenever I think about you, my eyes fill with tears. You have often
gone without bread; I have never gone without my ribbons.
GILBERT.
Jane, do you love me?
JANE.
Gilbert, I would like to kneel down and kiss your feet.
GILBERT.
Do you love me, do you love me? All that does not prove that you love
me. I want that word, Jane! Gratitude, always gratitude! Oh, I stamp
it underfoot, your gratitude. I want love or nothing! Die! Jane, you
have been my daughter for sixteen years; now you are to be my wife. I
adopted you; now I am to marry you--in one week. You know, you
promised me; you have consented; you are my betrothed. You loved me
when you promised that. Oh, Jane, there was a time--do you remember
it?--when you told me, "I love you," and you lifted your sweet eyes
to heaven. That is the way I want you to be. For some months now, you
have seemed different, especially during these last three weeks that
my work has kept me away from here nights. Jane, I must have you love
me! I am used to it. You were always so light-hearted; now you are
sad and absent-minded--not cold, my poor child (you try your best not
to be), but I feel your loving words do not come as tenderly and as
naturally as they used. What is the matter? Don't you love me any
more? I know I am an honest man, I know I am a good workman; but I
would rather be a robber and an assassin, and be loved by you. Jane,
if you knew how much I love you!
Public-domain text, read in full here on John Shaqi.
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